Robert Baird
Recording of May 2013: There's a Time
Reference RR-130 (HDCD). 2013. Doug MacLeod, Janice Mancuso, prods.; Keith O. Johnson, Sean Royce Martin, engs. DDD? TT: 58:00
Performance ****½
Sonics ****½
Like a lot of other once-pure forms of American music, the blues today has become a swirl of influences, mixing folk, rock, rhythm & blues, and even Latin flavors into a music that its aficionadosthat fervent contingent known as "blues nuts"have grudgingly accepted as being a part of the music they adore. But if blues fans thought Hendrix or Stevie Ray Vaughan muddied the wellsprings of the Devil's own music, it'll be only a matter of time before rappers mix blues in with their beats, and thenhorror of horrors!dance music begins to "borrow" from da blues. Rather than resist these changes, blues fans should willingly embrace any new energies brought into the music; rather than ruin, these fresh ideas and passions may actually revitalize a musical form that many already see as a museum piece.
No Show No More
Richie Havens
Thumbing Through the Racks: Acoustic Sounds, SoundStageDirect, & Chesky Records
One of the fun sidelights of any audio show is visiting the rooms or booths of the high-end vinyl dealers who attend and, in that regard, the New York Audio Show 2013 was no exception. I spent much of the first day either listening to records via the Classic Album Sundays room with Colleen Murphy, talking about new releases with David Chesky (who I will get to in a moment), or thumbing through juicy looking new and reissue vinyl and DVDs at the booths of Acoustic Sounds, AIX Records, and SoundStageDirect.com.
Yves Beauvais
Recording of March 2013: Old Yellow Moon
Nonesuch 534285-2 (CD/HDTracks download). 2013. Brian Ahern, prod.; Donivan Cowart, eng.; John Baldwin, Noland O'Boyle, asst. engs. AAD? TT: 41:04
Performance *****
Sonics ****½
A recent survey of my teenaged nephew and his friends turned up a number of musical trends both predictable and surprising. It sent them into paroxysms of disbelief and laughter when the old-man uncle asked whether they liked any guitar bands, like, say . . . Green Day. Guitar bands, to say the least, ain't cool. Pop-oriented hip-hop artists like Wiz Khalifa are. So are white, pop-rock "country" singers like Jason Aldean, whom teenaged boys, even in the age of piracy, continue to spend money on, be it downloads or a CD to rip.
Oh Daddy
Laissez Le Bon Temps Roulet
Recording of February 2013: The Clifford Brown/Max Roach Emarcy Albums
Clifford Brown, trumpet; Max Roach, drums; Harold Land, Sonny Rollins, tenor saxophone; Richie Powell, piano; George Morrow, bass
Mosaic MRLP 3004 (4 LPs). 195456/2012. Bob Shad, orig. prod.; Michael Cuscuna, reissue prod.; Ryan Smith, remastering. ADA.
Performance *****
Sonics *****
Trumpeter Clifford Brown's death in a car accident on the Pennsylvania Turnpike on June 26, 1956his second wedding anniversaryset up an eternity of unanswerables headed by the belief, among many, that had Brownie lived, his star would now be as high as or higher than that of Miles Davis.