Brian Damkroger

Brian Damkroger  |  Jun 27, 2004  |  First Published: Jun 01, 2004  |  0 comments
High-end audio has always been a tricky business, and in recent years it's become more so. Home theater is pulling in one direction, and MP3, iPods, and the Internet are pulling in another. And customer expectations—not just of sound quality, but also of usability and integration into their space and lives—are spiraling upward. The companies that are thriving amid these pressures seem to have adopted one of two strategies: either they focus more narrowly and try to convince the world to accept their vision, or they evolve their products in an attempt to anticipate the market.
Brian Damkroger  |  May 30, 2004  |  First Published: Nov 01, 2001  |  0 comments
One of the highlights of any Consumer Electronics Show, I have found, is Nordost Corporation's demonstration of their cables. Using a relatively modest system and non-audiophile source material, they run through a simple, straightforward sequence, climbing up through their product line, culminating with their new, just-introduced model. At each step, the system sounds distinctly better—clearer, cleaner, with more body and tonal purity—than with the previous model. There's no hype, artifice, or magic, just a clear demonstration of the progress that Nordost is making as they refine their designs.
Brian Damkroger  |  May 16, 2004  |  First Published: May 01, 2004  |  0 comments
The CD-303/200 is a stout, handsome unit with a thick front panel of black-anodized aluminum (silver is also available) and a beefy, epoxy-coated aluminum chassis. Even the remote control—a heavy aluminum unit with multi-function, backlit buttons—screams "Quality!" Curiously, however, the remote is clad in chrome plate, rather than brushed aluminum or anodized black to match the player. The coup de grace is the CD-303/200's transport mechanism, a Philips CDM12, which is good enough as is; Cary addition of a thick, machined drawer warmed this metallurgist's heart.
Brian Damkroger  |  Mar 28, 2004  |  First Published: Aug 01, 2002  |  0 comments
We've all got our pet peeves, and one of mine is stiff, unwieldy audio cables that simply refuse to bend to my will—or to bend at all. Instructions like "carefully bend to final configuration, ensuring that no bend is sharper than a 36" radius" make my blood boil. At the opposite end of the spectrum, Audience's willowy Au24 cable and wonderfully flexible powerChord positively warmed my heart when I encountered them at the 2002 Consumer Electronics Show in Las Vegas.
Brian Damkroger  |  Feb 22, 2004  |  First Published: Feb 01, 2004  |  1 comments
I've been in a nostalgic funk of late. What started it was visiting Golden, Colorado, where I spent my graduate-school days, and seeing all of the changes, not to mention the lecture halls full of kids who couldn't be a day over 12. When I commented on how young the freshmen looked, our host—a colleague of mine from grad school, now a professor—responded, "Those are seniors, Brian." I felt a little old.
Brian Damkroger  |  Dec 15, 2003  |  First Published: Dec 01, 2003  |  0 comments
At what point does a high price become exorbitant? When do you start doing double takes, to make sure you haven't mentally moved a decimal point? When do you look at something and think, "No matter how good it may be, it's just not worth that much money"?
Brian Damkroger  |  Sep 28, 2003  |  0 comments
One of the biggest challenges in setting up any new listening room is getting the room to work with your equipment rather than against it. I faced this challenge in spades when Trish and I moved into our dream house in the California hills. What would serve as my listening room was a wonderful, open space with panoramic views of the surrounding hills—a space that bore no resemblance at all to a traditional, rectangular, dedicated listening room. Instead, there was a wall of glass, a huge marble-and-glass fireplace, a 20' ceiling—and did I mention that it isn't actually a "room," but one arm of a continuous flowing space?
Brian Damkroger  |  Sep 14, 2003  |  0 comments
I was riding BART home from Home Entertainment 2003, thinking about the day—the new products, the old friends, the rooms with really great sound. It's a long ride from downtown San Francisco to Livermore, so I next got to thinking about all of the hi-fi shows I've attended over the years and which companies, year after year, always seem to have good sound. At the top of the list were Audio Physic and its US importer, Allen Perkins' Immedia.
Brian Damkroger  |  Jul 13, 2003  |  0 comments
Have you ever had one of those conversations with your Significant Other that begins "But I thought you said..." and goes downhill from there? The Other's tone is condescending, and the body language—hands on hips, head slightly tilted—lets you know you're in big trouble.
Brian Damkroger  |  Jun 22, 2003  |  0 comments
Being a metallurgical engineer, I've always been intrigued by audio cables—their construction, the materials they're made of, how they're produced, and, of course, how all of that relates to their sound. Over the years, I've auditioned a wide range of cables, from Nordost's round conductors in a flat cable, to Alpha-Core's flat cables in a round conductor, to MIT's complex termination systems. I've even got a closet full of cables—some quite good—from companies that no longer exist.

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