The Comdex trade show, taking place this week in Las Vegas, is flushing out scores of convergence consumer electronics products, in addition to the more traditional computer fare. <A HREF="http://www.apogeeddx.com">Apogee Technology</A>, formerly Apogee Acoustics, a name familiar to many <I>Stereophile</I> readers, is among the dozens of companies announcing technology for the modern consumer electronics marketplace.
Could this be a record executive's dream come true and the end of the need for watermarking as we know it? <A HREF="http://www.CantaMetrix.com/">CantaMetrix</A> has announced the further development of a new technology, MusicDNA, that the company claims is capable of identifying and tracking the billions of existing as well as new MP3 files on the Internet and providing an exact accounting for the copyright, "thus enabling legal file sharing and linking value-added data to songs."
It's a brave new audio world: Coinciding with last week's release of Medeski, Martin & Wood's latest work, <I>The Dropper</I>, to retailers' shelves as a polycarbonate-and-aluminum CD, <A HREF="http://www.liquidaudio.com">Liquid Audio</A> announced that the title was simultaneously being made available as a full-album digital download. Liquid reports that this is the first time a <A HREF="http://www.bluenote.com">Blue Note</A> title has been released in a digital format at the same time as its physical release.
The <A HREF="http://www.riaa.com">Recording Industry Association of America</A> has recently been getting press ink by the bucketful for its defense of the music business against the perils of the Internet. But the <A HREF="http://www.futureofmusic.org">Future of Music Coalition</A> is urging the US Copyright Office to be wary of efforts by the RIAA to establish itself as the sole and exclusive collection agent for digital performance royalties for sound recordings. Instead, the Coalition has proposed that an independent body would be a more appropriate vehicle to collect and distribute these and other monies, including Audio Home Recording Act of 1992 royalties.
The online music world has been hit by one jolt after another as the record labels go after anyone they can slap with the "music pirate" label. In response, the e-sharks smell blood and are circling. Internet music-distribution company <A HREF="http://www.EMusic.com">EMusic</A> sent out a press release recently making the assertion that "now that Napster and MP3.com are both on shaky legal ground, many downloadable-music fans are going to be looking for compelling, 'legitimate' alternatives."
It may still be a trickle, but at least a little music relief has reached the parched throats of audiophiles awaiting the arrival of DVD-Audio discs. Last week saw the <A HREF="http://www.stereophile.com/news/10867/">announcement</A> that Aaron Neville's latest CD release will also hit stores as a multichannel DVD-A on Immergent Records on October 24. This week sees the announcement that another recording legend, Willie Nelson, will soon take the plunge.
It's easy for us audiophiles to feel neglected. Consider that this year witnesses the debuts of not one, but two new audio formats that should answer the prayers of just about every frustrated audiophile out there: SACD and DVD-Audio. Both approaches represent the state of the art of recording and reproducing music, and finally fulfill for serious listeners the promise that CD teased us with more than 15 years ago.
The most common complaint about record companies: CD prices are too high. In fact, many blame Napster's runaway success on the insistence of "greedy labels" on pricing discs at $15 or higher. Apparently BMG Direct, a division of <A HREF="http://www.bmg.com/">BMG Entertainment</A>, has put two and two together and found it equals $9.99.
Following on the heels of its <A HREF="http://www.stereophile.com/news/10863/">announcement last week</A> of the first commercially available DVD-Audio disc (<I>Swingin' for the Fences</I>, by Gordon Goodwin's Big Phat Band), <A HREF="http://www.silverlinerecords.com">Silverline Records</A> says that Aaron Neville will become the first major artist to release an album in the format. Silverline expects that, on October 24, Neville's solo album <I>Devotion</I> will be released on DVD-A. The disc will also include audio tracks compatible with standard DVD players.
Warner Music Group may have just announced its first DVD-Audio titles (see <A HREF="http://www.stereophile.com/news/10861/">related story</A>), but an upstart independent label is claiming the first DVD-A discs actually available for sale. In an attempt to establish itself as the leader in the new DVD-Audio format, 5.1 Entertainment Group's <A HREF="http://www.silverlinerecords.com/">Silverline Records</A> says it has begun shipping the first commercially available 24-bit/96kHz DVD-Audio disc, <I>Swingin' for the Fences</I>, by Gordon Goodwin's Big Phat Band.