The digital music market balances on at least five legs: software producers, technology developers, electronics manufacturers, consumers, and regulating bodies. So, can a two-legged agreement stand? That's the question industry watchers are asking as representatives of two groups, the Recording Industry Association of America (RIAA) and the technology sector, announced that they have reached agreement on a "core set of principles" to guide their public policy activities regarding the distribution of digital content.
Quad's David Patching was all smiles as he showed off the company's new CD player, called simply the CD-P. No SACD or DVD-A, said Patching, who says they'll wait until either a ton of high-rez discs are sold (not just produced) or until the format war is over and a clear winner emerges.
Back to the Alexis Park for a press conference with Classic Records, which has decided to release its first DVD-Audio disc around February 15. Classic was one of the very first labels to take advantage of the original DVD specification's ability to hold a 24/96 two-channel audio track, and it started releasing DAD discs exactly five years ago. The company's first DVD-A release will be the Vanguard title Songs of the Auvergne, which will feature a 24/192 two-channel DVD-A track and 24/96 two-channel DVD-V track.
The Consumer Electronics Show (CES) officially opened today and we spent our time at the Alexis Park noticing even more exhibitors than last year. On hand were plenty of new products, companies, and high-rez software demos. Multichannel demos were in heard in several rooms—all to good effect.
The Consumer Electronics Show (CES) officially starts Thursday, but tradition has established Wednesday as the day several major consumer electronics manufacturers hold press events, hoping to get their messages across before the full-scale onslaught of dealers.
In a pre–Consumer Electronics Show announcement, Texas Instruments says it has integrated its FireWire (IEEE1394), multichannel audio digital signal processor (DSP), and digital amplifier technologies in a single board to demonstrate an all-digital audio system from source to speaker.
In a world where brand is everything and making money is the bottom line, it should come as no surprise that if there's a buck to be made, any deal is possible. But who would have imagined, 30 years ago, that the bad boys and girls of rock'n'roll would be married to the then-much-scorned icon of safe, watered-down elevator music?
STEVE TIBBETTS: A Man About a Horse Steve Tibbetts, guitar, percussion; Jim Anton, bass; Marc Anderson, Marcus Wise, percussion ECM 1814 (CD). 2002. Steve Tibbetts, prod., eng. ADD. TT: 45:07 Performance ***** Sonics ****½
Imagine this: You're a modern kind of audiophile, and your music library is loaded and sorted (without any compression, of course) onto a hard-disk–based audio system which is networked throughout the house. You've also got a hard-disk–based audio system in your car.
Although some record labels have scaled back plans to add restricted-use technology to all CD releases, efforts continue to find the protection formula that consumers, and in particular record labels, will accept.