June, 1998---"It's time to stop wasting the talents of brilliant American musicians because of their gender." And with that, an anonymous donor has given one million dollars to establish The National Women Conductors Initiative.
For the last few months, random postings kept appearing on internet newsgroups and in my e-mail box: "Anybody know what happened to Counterpoint?" At last count there were 10,000 Counterpoint preamps, power amps, and loudspeakers fanned out across the planet, some dating back to 1977, when the company launched its first product: the SA-1 tube preamp, designed by Ed Semanko.
A key benefit of working with Stereophile is enjoying the expertise of fellow audio nerds. After the HI-FI Show just held in Los Angeles, Jonathan Scull and Kathleen Benveniste spent a week riding up the California Coast and paid us each a visit.
It's no secret that Dolby Laboratories doesn't aim its audio compression technologies at the high-end consumer audio market. After all, Dolby excels at finding ways to get maximum performance out of limited-bandwidth environments such as the audio cassette, or the space alloted for 5.1-channel soundtracks on DVDs.
With the plethora of CD and DVD formats out there, it can be confusing figuring out what will work with what. Standards can help define specifications for a particular format, but often do little to guarantee compatibility between them.
On Wednesday evening, June 10, The Academy Advancing High Performance Audio & Video held its 1998 Golden Note Awards at the Marina Del Rey Ritz-Carlton. Following an address by John Hoskins of the Advantage Performance Group, a sales consulting firm, the amiable awards ceremony was MC'd by Paradigm's own stand-up comedian, Rob Sample. AAHPAV's ceaselessly energetic Chairperson Sue Regan assisted in the presentations, as did Academy President Joe Picirilli. And the hard-working winners (drum roll, please) are . . .