Acora Acoustics' Valerio Cora, VAC's Kevin Hayes, and VPI's Mat Weisfeld are big dudes. They make big equipment. It makes big sound. Their assemblage at FLAX produced music that was more than big; it was overwhelming.
A simple, well-tuned system can outperform a megabuck system that's poorly set-up. That's easy to notice at a hi-fi show, where you frequently walk straight out of one room and into another. Do that enough times and you gain a powerful appreciation for the importance of effective setup and system tuning.
In the room shared by Gary Dews's BorderPatrol Audio, Greg Roberts's Volti Audio, and Peter Grzybowski's Triode Wire Labs, music flowed, immense of stage, fast of delivery, with heart-arresting texture, visceral verisimilitude, and dynamic fireworks.
In House of Stereo's Room 716, T+A's Chief Executive Office of North America, David Nauber, played the brand new, barely off the airship, T+A R 2500 R Integrated Multi Source Receiver ($18,880). A VPI Avenger Direct Turntable with FatBoy Gimbal tonearm ($36,000), DS Audio Grand Master EX System cart ($22,500) and phono stage ($45,000), T+A PSD 3100 HV DAC/PRE ($22,000), T+A A 3000 HV Power Amplifier ($24,275), T+A PS 3000 HV Power Supply ($16,695), and T+A Solitaire S430 speakers ($29,900) completed the setup. Cabling by WireWorld.
Jacksonville, Florida, dealership House of Stereo occupied eight (!) rooms at FLAX. Room 709 debuted Steinheim's 2.5 Alumine Two.Five loudspeakers ($23,500/pair), accompanied by a bevy of refined products that kept the room packed to overflowing. Several were from Germany's T+A ("Engineering emotion"), including the SD 3100 HV Reference Streaming DAC ($32,387).
Japan's TAD had two rooms at FLAX, including the large Bayshore ballroom, which itself contained two systems, each with two pairs of speakers. Both systems wowed me.
Dealer Scott Walker Audio, which has showrooms in Anaheim, California, and Keller, Texas, and Synergistic Research presented several new products at FLAX including the Synergistic Voodoo streamer erver ($14,995); the PowerCell 8 SX conditioner ($3495); and SRX USB ($5995), Ethernet ($5995), and XL Power cables ($13,000).
In the photo above, worker bees Megan Bovaird and Matt Bochicchio welcome you to the sixth annual Florida International Audio Expo (FLAX), held this year and all non-COVID years at the Embassy Suites by Hilton, in Tampa, Florida.
Luxman's new flagship integrated, the L-509Z, has the same thick aluminum top plate and steel casework as its forebear and weighs a similarly knee-crushing 64lb. The older L-509X cost $9495; its newer, younger sibling rachets that up to $12,495. The front-panel controls are nearly identical, including those big, eye-catching dual VU meters; except for a new 4.4mm Pentaconn five-conductor mini headphone jack and a mute button, the Z matches the cosmetics of the X to a T. But as in all things, appearances can be deceiving.
From 1972's Can't Buy a Thrill to 1980's closing act Gaucho, Bard sages Walter Becker (19502017) and Donald Fagen occupied a place in pop music as unique as their songs' references to "wild gamblers," "midnight cruisers," "bodacious cowboys," and a female protagonist who "prays like a Roman with her eyes on fire." Much later, Becker and Fagen returned to the studio, issuing Two Against Nature to an audience still hungry for their singular R&B-and jazz-based music.