Jason Victor Serinus

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Jason Victor Serinus  |  Oct 18, 2013  |  1 comments
With Tyll Hertsens reporting in depth on RMAF’s CANJAM 2013 at our sister site, innerfidelity.com, I’ll just briefly acknowledge the scope of this major exhibition. Hosted by Head-Fi.org, the event drew the youngest crowd in its history.
Jason Victor Serinus  |  Oct 18, 2013  |  0 comments
I discovered the popularity of the “Cartridge Alignment” seminars presented by Vana Ltd.’s Stirling Trayle and the “Speaker Set-Up” presentations by AudioBeat.com’s Roy Gregory were when I passed the closed doorway to their seminar room and discovered people already lined up for the next presentation.
Jason Victor Serinus  |  Oct 18, 2013  |  0 comments
Warned that the speakers and phono cartridge were not fully broken in, I entered Vana Ltd’s Room 9025 to discover Vienna Acoustics Beethoven Baby Grand SE loudspeakers ($5500/pair) paired with the debut of the Dr. Feickert Analogue Woodpecker turntable with 12 Jelco and Acoustical Systems Arché headshell ($8000) and equipped with an Ortofon Windfeld phono cartridge ($3900). Also in the system were Primare’s CD 32 CD player ($2800), I32 with MM30 media upgrade integrated amplifier ($4500), and R32 phono amp ($1200); IsoTek’s EVO3 Aquarius Mains conditioner ($2000), EVO3 Syncro active DC blocking cable ($1750), and EVO3 premier power cables ($195/each). Analysis Plus analog cables completed a system whose bass was not under control, and whose midrange was somewhat muffled, but whose highs, on an LP test pressing of Mahler’s Symphony 3, were quite wonderful.
Jason Victor Serinus  |  Oct 18, 2013  |  1 comments
When I entered the room sponsored by the three above entities, I heard first a CD quality file of Saint-Saëns’ Danse Macabre, and then a 192kHz sample-rate file of period instrument violinist Rachel Podger playing Bach. I thought the system wonderful at handling complex information, keeping everything clean, and controlling the bass—superb in fact. The only question arose when, on an SACD of mezzo-soprano Lorraine Hunt Lieberson singing Handel, the voice was somewhat damped.
Jason Victor Serinus  |  Oct 18, 2013  |  5 comments
What actually transpired as the person in charge of the darkened room began to change LPs:

Me: What are you putting on?
Him: (sounding slightly hostile) What am I putting on?
Me: Yes. What music are you playing?
Him: It’s violin music.
Me: (To myself: Yes, I do know what a violin sounds like.) To him: What violin music?
Him: “I can’t pronounce it. Here, you look.”

Jason Victor Serinus  |  Oct 18, 2013  |  7 comments
It was all psychedelic retro in Room 9000, as Odyssey’s Klaus Bunge dimmed the lights and headed to Fillmore West as he played Iron Butterfly’s "In-A-Gadda-Da-Vida.” Given that I was hardly prepared to drop acid in the midst of blogging the show (as in who is that strange person from Stereophile who has spent the last 15 minutes staring at our turntable while muttering something about God being the deepest groove of all?), I didn’t know what was going on equipment-wise until I found Klaus outside the room and asked which way was up.
Jason Victor Serinus  |  Oct 18, 2013  |  3 comments
Given that Brodmann Acoustics uses Electrocompaniet components in their design studio, the pairing of Brodmann’s FS ($4500/pair), VC 2 ($19,900/pair) and VC 7 ($24,900/pair) loudspeakers with Electrocompaniet’s AW 180 power amplifier ($5425), EC 4.7 preamplifier ($3499), ECD-2 DAC ($3099, to be reviewed in the December issue by JA), and EMT-3 transport ($3995) was especially felicitous. I’m not sure which speakers I auditioned—probably the big guys—because things got a little crazy when someone from another publication entered the room.
Jason Victor Serinus  |  Oct 18, 2013  |  2 comments
The Eficion loudspeaker/Plinius amplification combo, favored by Eficion’s Peigen Jiang because the fast amp complements the speed of the Eficion’s distinctive, highly detailed AMT (Air Motion Transformer) tweeter, graced two adjacent rooms at RMAF. In the first, shared with FIM Music, Eficion F200 loudspeakers ($3400/pair), a Plinius SA103 amplifier ($10,150), Exemplar Audio preamp ($4250), and Exemplar-modded Oppo BDP-105 (aka the Expo T105—$4750 including cost of the Oppo) produced gorgeous, full range sound and beautiful tonality on Jacques Loussier’s rendition of J.S. Bach’s Pastorale in C minor, from The Best of Play Bach. Credit is also due FIM’s remastering, which improves on the already fine sound of Loussier’s Telarc originals.
Jason Victor Serinus  |  Oct 17, 2013  |  2 comments
Wandering into the Blackbird Audio room, whom do I encounter but audiophile legend Dean Peer giving Trenner & Friedl’s Pharoah loudspeakers ($13,000/pair) a major run for the money. While learning that the speaker’s plywood cabinet is bottom-ported, and that it has a horn-loaded compression tweeter and 8" paper-cone woofer, Dean played various impossibly deep runs, leaps, and scales to discover that the speakers in fact react quite fast, and extend down to the subsonic level. Very very cool. I’m afraid I didn’t hear much else in the system—apologies to Heed Audio, Cardas Audio, Profundo, Colleen Cardas Imports, Unison Research, and Opera Callas loudspeakers, among others—but I sure had a great time.
Jason Victor Serinus  |  Oct 17, 2013  |  1 comments
In the first of MIT’s two adjacent rooms, Steven Holt, in his last appearance with the company before moving on to Light Harmonic, showed off MIT’s newest Z-Plug 3 ($199) and Z-Plug 6 ($399) AC noise traps. Demonstrated with Audio Prism’s noise-sniffing device, these parallel power filters seemed to do a fine job of quieting things down. Also new are two power cables, the SL-Z-Cord3Fp AC Noise trap ($349) and SL-Matrix Z-Cord 6 AC Filter power cord ($699), both of which incorporate Z-series power filtration. Don’t you love these ridiculously long names that make you feel like you’ve bought something special, which, despite the name, it may very well be?