Jason Victor Serinus

Jason Victor Serinus  |  Jan 10, 2007
The very first room I visited at CES featured VTL and dCS electronics powering Avalon Eidelon speakers via Transparent cabling. This was a good start. I had become an instant convert to VTL sound at HE2006 last May, where Wilson Sophia speakers, driven by VTL electronics via Cardas cable and a Jadis tranposrt and DAC delivered some of the best sound I heard at the show. Since then, I've heard VTL gear in three other environments, this being the fifth. Each time, it has sounded different, but always musical.
Jason Victor Serinus  |  Jan 09, 2007  |  First Published: Jan 10, 2007
Rives Audio and Talon Audio (now owned by Rives) proudly introduced the Thunderhawk, a $25,000/pair, composite speaker consisting of the $10,000 Hawk positioned atop the Thunder cabinet. The latter’s woofer is available either with a passive crossover, or with the new Rives Sub Parc, fully adjustable active crossover, which includes a 1000W switching amplifier. Said to deliver full-range sound down to 18Hz, the system sounded absolutely seductive playing jazz vocalist Susanne Abbuehl’s Compass (ECM).
Jason Victor Serinus  |  Jan 09, 2007  |  First Published: Jan 10, 2007
Thiel Audio had the benefit of several side-by-side rooms at the Venetian, one of which was reserved for listening with the door closed. Isolated from the noise of surrounding rooms, Thiel’s long-awaited CS3.7 speaker ($9900/pair in standard finishes when it’s finally released), and now actually boasting a grille, played an intriguing combination of two-channel and multi-channel music using Bryston electronics and Synergistic Research cabling.
Jason Victor Serinus  |  Dec 21, 2006
In an enterprising attempt to serve music lovers via the Internet, Universal Classics has launched Decca Concerts. An unprecedented partnership between the label and some of the world's better-known symphony orchestras, the website gives classical music lovers the ability to download very recent live orchestral performances "from the world's most important musical cities." The performances are generally no more than 10 days old, depending on how much postproduction editing is needed.
Jason Victor Serinus  |  Dec 10, 2006
The 2006 Grammy nominations are in, and audiophiles have much to rejoice about. In a year when far too many pundits are sounding the death knell for the CD in general and high-resolution formats in particular, there's a bumper crop of great sounding, high quality recordings vying for a listen.
Jason Victor Serinus  |  Nov 25, 2006
Despite griping and grumbling about the change, many makers of high-performance audio gear appear to have settled on their new official venue at the annual Consumer Electronics Show in Las Vegas: the Venetian Resort Hotel Casino. Two months before the start of the 2007 CES (to be held January 8–11), all but 12 of the Venetian's 198 exhibit rooms and suites had already been sold.
Jason Victor Serinus  |  Nov 10, 2006
What is the best environment in which to demonstrate and enjoy high-quality audio gear? According to Richard Rives Bird, founder and president of Rives Audio, the answer is simple: an acoustically engineered room.
Jason Victor Serinus  |  Nov 03, 2006
On Ella Fitzgerald and Oscar Peterson's Swiss Radio Days, Vol.15: JATP Lausanne 1953 (TCB 02152), the performances are so extraordinary that only the music itself can fully tell the tale.
Jason Victor Serinus  |  Oct 23, 2006
Although it can sometimes seem quite illusive, or only reserved for the chosen few, high-end proof of the proverbial scales of justice surfaced in the last room I was privileged to visit.
Jason Victor Serinus  |  Oct 23, 2006
Fortune found in the fortune cookie that accompanied my evening meal of Chinese take-out: "When in doubt, let your instincts guide you."

Pages

X