Jason Victor Serinus

Raidho and Aavik Ravish

Raidho principals Lars Kristensen, whose surname, thanks to his business card, I've finally spelled correctly after all these years; Mikkel Simonsen, who specializes in digital circuits, software, and PCB work; and Michael Børresen, the speaker designer/chief engineer who is responsible for overall concepts, visual and functional design, and analog circuitry; showed off the great, full-range sound of Raidho's new D-3.1 loudspeakers ($65,500/pair). Not the least bit shy at frequency extremes, the D-3.1 loudspeaker topped off a system that was equally at ease with fast, slamming percussion and naturally zingy piccolo.
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Bold Burmester

The well-known German company, Burmester, has introduced the Burmester Ambience BA 31 loudspeaker ($25,000/pair). Derived from its larger BA 71 sibling, this 2½-way system includes an AMT Mundorf tweeter in front, and an identical "continuously adjustable" one in back to maximize omnidirectional effects.
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Gorgeous Strings from VAC

Although the Valve Amplification Company (VAC) system at CES 2016 was virtually identical to the one I blogged at RMAF last October, save for the shrouded TV or mirror, there was a world of difference in the sound. VAC's Kevin Hayes attributed the improvement to a change in tubes in the VAC Phi 170 IQ master preamplifiers ($9900). While the tubes at the earlier show were Russian Gold Lion KT-88, here they were Chinese Shuguang KT-88SC. The sound on the Mahler 9 SACD I played at CES was very, very beautiful.
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Monitor Ups the Platinum Ante

Monitor Audio has now moved to its second-generation Platinum series loudspeakers, which Monitor presents as "most accurate and beautiful loudspeakers" the company has ever made. Shown was the top-of-the-line, towering PL500 II ($28,995/pair), whose front baffles are hand-upholstered in the same Ingleston leather used in many luxury British brands.
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All the Way with Accuphase and Gauder Akustik

Accuphase's head of engineering, Masaomi Suzuki, introduced the company's new P-7300 flagship class-A/B stereo power amplifier ($32,000). The amp claims ultra-low noise and a super-high damping factor—the clipping power is higher than before, and the amp is 50% quieter than its predecessor—and outputs 125Wpc into 8 ohms. Its versatility extends to outputting 800Wpc into 1 ohm, which means that loudspeakers with challenging, amp-wilting impedance curves should not present insurmountable problems.
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Viola Labs and Ocean Way Audio

We lamentably and most apologetically overlooked the launch of the Burbank-made Ocean Way Sausalito loudspeaker ($31,500/pair) last year. The speaker's face is angled at 10° for time alignment, and the cabinet has an 18-coat polyester finish as well as optional outrigger stands. The speaker is designed to allow the listen to move around the room without loss of imaging.
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Rowland's Upgraded Monoblocks

Jeff Rowland's Model 725 S2 monoblocks ($34,000/pair) have been out maybe four years, but now include new error-correction circuitry originally developed for the Jeff Rowland 625 S2. Also of import are ceramic circuit boards, 4-pole Jensen capacitors, and virtually immeasurable distortion from 20Hz–20kHz. The class-A/B amps deliver 330Wpc into 8 ohms, and have fully balanced transformer coupled inputs as well as switch-mode power supplies with power-factor correction. The display was passive, with Rowland's active system, complete with Nordost cabling, showcasing other products.
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Sonus Faber Honors Antonio Stradivari

I find it hard to believe, but only in the last 5 or 10 years did the museum in Cremona, Italy, where famed violinmaker Antonio Stradivari was born in 1644, receive the first violin that Stradivari ever made. To honor the occasion, Sonus Faber loudspeakers has issued Il Cremonese ($45,000/pair), whose price is far lower than that violin. An extension of Sonus Faber's Cremona and Stradivarius series, Il Cremonese incorporates technology from the company's higher-level models. Paolo Tezzon custom-designed all drivers to achieve greater accuracy and coherency.
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