Jason Victor Serinus

I ended Saturday's incredibly packed tour of the 15 rooms on the Marriott Tower's 10th floor with a stop in Musical Fidelity's room. It was a good choice. This was the first room at the show where I pulled out Channel Classics' superbly recorded hybrid SACD of the Ebony Band Amsterdam performing a unique arrangement of Revueltas' elemental, gutsy, phantasmagorical <I>Sensemaya</I>. The sense of air was immense, with amazing soundstaging that belied the small size of the room. I also loved the height of the soundstage, and the deep reaches of the bass. But as much as I savored the presentations' air and depth, this hardly laid-back system sounded a bit tipped-up in the highs, a common factor in many of the smaller rooms at the Marriott.

After building ModWright Instruments' reputation as a quality source for equipment mods, Dan Wright has expanded his business to include manufacturing his own components. Perhaps because his gear was called into play in a number of rooms, his own room was mobbed until Sunday, when crowds traditionally lighten up.

"Bring the concert home!" declared the Jones Audio brochure. The 18-month old company, whose products are "handcrafted" in Seattle, took advantage of RMAF to debut the Jones Audio PA-M300 monoblock amplifier ($24,000/pair). This 300W into 8 ohms, 560W into 4 ohms baby, which uses a 35 lb toroidal transformer, kept company with the Jones Pre-S2 preamplifier (approx. $11,000), the Revel Ultima Salon2 loudspeakers I've lusted after on multiple occasions ($22,000/pair), a Benchmark DAC1 Pre, and Kimber cabling with WBT connectors (approx. $1000 worth).

You can always count on EAR's Dan Meinwald to be spinning some great platters. When I walked in, whatever jazz recording was playing sounded very alive and incisive. (EAR's electronics and Marten's speakers are not shy and recalcitrant). When Dan switched to an old classic LP, <I>Meeting at the River</I>, the Vishwa Mohan Bhatt's unique guitar sounded uncommonly beautiful and clear. Had I not had 18 rooms left to visit on Saturday, with a lot more screaming for attention, I would have stayed longer.

Here's an up-close look at the Townshend table and rack, as well as EAR USA's fabled preamp. Note the classic Blue Note jazz that Dan Meinwald favors. A great match for this system.

We audiophiles can't resist pushing the boundaries of intimacy. Step on those cables, jostle them amps&#151;we just gotta take a look at what's going on from all angles. Trying not to do permanent damage, here's what I spied on the back of Lowther America's Field-Coil EXR Open-Baffle loudspeaker (estimated price of $15,000/pair).

Having greatly enjoyed YG Acoustics' two-way Carmel loudspeaker ($18,000/pair) at the California Audio Show this past summer, I was eager to hear it in a different setting. This was the opportunity, paired with Veloce Audio's battery-powered set-up. The system also featured Kubala-Sosna Emotion cabling (price not supplied), the LS-1 Pure Tube linestage ($15,000)&#151;are there any impure tubes?&#151;and LP-1 Pure Tube phono module ($3000), and V-6 monoblock amplifiers ($14,000, presumably for the pair). Also doing the honors were the Amazon One turntable (price not available), and the PS Audio Perfect Wave transport/DAC combo (approx. $6000).