Jason Victor Serinus

Now I know why Robert Deutsch wrote such an <A HREF="http://www.stereophile.com/standloudspeakers/107fuj/">enthusiastic review</A> of the Fujitsu Ten Eclipse TD712z loudspeaker in the January 2007 issue of <I>Stereophile</I>. This eye-arresting single-driver loudspeaker ($7000/pair with dedicated stands) delivered an absolutely beautiful rendering of Monica Salmazo's voice. Both top and midrange were exemplary, as was transparency. Though early instrument strings on the delightful Channel Classics SACD, <I>Bolivian Baroque v.2</I>, were either a mite too edgy or conveyed with unforgiving accuracy, the system did a wonderful job with the church venue's naturally reverberant acoustic. Soprano Kate Royal's voice on her marvelous EMI debut recital was drop dead gorgeous. Within their frequency limitations, these speakers are superb. And given that the source was a Denon 955 DVD player rather than a state-of-the-art unit, their triumph is even more noteworthy.

April Music's tremendous achievement deserves two blog entries. In one room at the Alexis Park, the Korean-based company demmed an absolutely amazing for the price Stello stack of low-cost, truly high-end mini components: the Stello CDT-100 transport ($695), DA100 Signature ($895), HP100 headphone amp/preamp ($595), and S100 50W/channel power amplifier ($745). Auditioning Harmonia Mundi's beautiful recording of Schubert's <I>Arppeggione Sonata</I>, this diminutive set-up (complete with B&W 805 loudspeakers and Red Rose cabling) created an amazingly deep, involving soundstage that would make many a manufacturer of components costing 10 times the Stello price envious. The system also did a fine job of capturing the complex harmonics of the piano. An I<SUP>2</SUP>S bus connection between components&mdash;shades of Audio Alchemy and Perpetual Technologies&mdash;sure helps matters. I wouldn't go as far as saying that this set-up fully captured the soul of every piece of music I auditioned, or that its solid-state pedigree wasn't apparent, but it blew the socks off most mass-market doo-doo and a helluva lot of supposedly audiophile-grade components.

After hearing the Stello stack, I thought I had heard it all. But in the next room, April Music President Simon K. Lee blew my mind even more with the one-piece Aura note Music Center ($1850). This little baby, available through a dealer network, even includes a USB port on back, a second USB memory stick port on the side, a built-in tuner, and two RCA inputs. Paired with the Aura speaker ($650/pr), the parallel single-ended MOSFET design (thank you, Nelson Pass) sounded a bit more mellow and soulful than the Stello stack. (It would have probably extended as low as that stack if it had been paired with the B&Ws).

New Zealand-based Plinius is now using words drawn from the Maori language to name all of its new products. Making truly beautiful sounds in an all-Plinius line-up, the new Tautoro linestage preamplifier ($7300), set to ship in May, fulfilled its promise to "bridge the gap" from Plinius' top-of-the-line SA-Reference power amplifier to its CD-101 CD player and Koru phono stage (available as an option for $8600 total). When I asked Scott Markwell of Elite Audio Video Distribution how the preamp differs from its M8 predecessor, he pointed out that the M8 could only function as a linestage. "The more versatile Tautoro has an even bigger, more three dimensional soundstage. It also has much greater bass, more punch, and increased dynamics."

The highlight of the VRS Audio Solutions room was witnessing VRS' Vincent R. Sanders and Neil Sinclair (high-end pioneer and former owner of Theta Digital) engage in a heated discussion over optimal methods for achieving hard disk-stored music playback. These two went at it as if dealing with life and death itself. Which, in the case of high-end audio, isn't far from the truth.

As much as I had hoped to write about new companies at T.H.E. Show this time around, I keep finding myself drawn to "old friends" for one overriding reason: their sound is the best I encounter. Such was the case with veteran audio designer Peter Ledermann's Soundsmith. Despite Peter's 1960s-holdover proclivity to turn his consistently impressive, housed-in-wood electronics into multi-colored light shows&mdash;thank God you can dim the lights or turn them off entirely&mdash;the former Director of Engineering at the Bozak Corporation continues to astound with the sound of his phono cartridges and the amazing frequency response of his small Firefly speakers.

Music Culture Technology Corporation's Reference line has been designed and engineered by MBL's official engineers. Though not yet distributed in the US, the combination of MC's partnership with MBL and their components' arresting good looks drew me in for an extended listen. It was also a belated listen, but that had to do with the Hard Rock Caf&#233; across the street from the St. Tropez, whose bass blasting from the rock video they project in their parking lot between 5pm and 10pm made listening to anything other than equally blaring rock music an absurdity. Call it high end trumped by high insult.