Jason Victor Serinus

The largest consumer audio show in America's Southland, AXPONA (Audio Expo North America), returns to its roots when it opens in Jacksonville on Friday March 9. The three-day show, which launched in Jacksonville in 2010, has happily switched locations from a "not-ready-for-primetime" venue to the more upscale Omni Jacksonville.

What the hotel offers audiophiles, besides its amenities and lovely waterfront, is its neighbor across the street, Jacoby Hall in the Times-Union Center for the Performing Arts. Home of the Jacksonville Symphony Orchestra, the hall's much touted superior acoustics—mezzo-soprano Frederica von Stade has called them "sensational"—offer attendees the opportunity to refresh their ears with the sound of a live, unamplified orchestra in a very special hall. What better way to tell if the audio systems you're hearing present a reasonable facsimile of the real thing?

Headphone enthusiasts had a field day at Mountain View, CA retailer Audio High on January 25, when both Sankar Thiagasamudram, President and co-founder of Audeze, and Lorr Kramer, VP of North American Operations for Smyth Research, presented their latest and greatest. In a refreshing change of pace, both men dispensed with the usual canned presentations followed by group listening. Instead, they welcomed anyone who wished to partake to a generous personal audition.

As one of the Top Five KEF dealers in the United States, AudioVision San Francisco was chosen as the site for the country's first in-store demo of KEF's Blade ($30,000/pair) on January 19. Given that the Blade's previous three quasi-public demos were either at shows—CEDIA 2011, where the environment was reportedly too noisy for anyone to get a good listen, and RMAF 2011, where the room was too small—or KEF's 50th Anniversary Party in the British Embassy in New York City, this was actually the first time that anyone on the West Coast, or any bloke who happened to wander in off the street, had a chance to hear KEF's long-awaited speaker in more supportive surroundings.

Doing the honors for KEF was April Sanders, the company's Western Regional Manager (top photo). Sanders' 30 years experience in the speaker industry makes her one of the longest-surviving women in the high-end—a feat that, IMHO, deserves at the least a medal of honor and epaulettes covered with brass stars and other emblems of bravery on the front lines.

Spectral Audio , the northern California company whose director of engineering is Prof. Keith O. Johnson, gave the first public preview of its SDR-4000SL Master CD Processor on September 24, at Music Lovers Audio, in Berkeley. Introduced by Johnson and Spectral founder Richard (Rick) Fryer, the $19,000 Spectral Digital Resolution (SDR) model sounded sensational playing 16-bit/44.1kHz, HDCD-encoded files Johnson had made for Reference Recordings, through a system that included Spectral's DMC-30SS preamplifier and monoblock amplifiers, Wilson Audio MAXX 3 speakers, Spectral Ultralink II speaker cables, the MIT Z Duplex conditioner, Synergistic Research's controversial ART system, and other room treatments.

The 2011 Rocky Mountain Audio Fest, which runs October 14–16 at the Denver Marriott Tech Center, promises more exhibits than ever before. With 480 exhibitors spread over 176 hotel rooms and three vendor areas, and advance attendance figures indicating at least 3500 attendees, the show continues to attract even more of the industry and public despite the economic slowdown. While the proportion of East and West Coast attendees remains stable, you'll see more international attendees, including folks from Thailand, India, Japan, Australia, Argentina, Singapore, Brazil, Canada, Finland, New Zealand, Mexico, and the UK.

"The big news is that we've scheduled a special exhibit at the Hyatt down the block," show organizer Marjorie Baumert told Stereophile. "We've expanded because Chad Kassem of Acoustic Sounds and Analogue Productions has put together a preview presentation of the new 5.1 surround sound SACD of Pink Floyd's Wish You Were Here, running all three days, and played through the same Acoustic Transducer Company (ATC) loudspeakers that were used to mix the project.

The Cable Company's 16th annual Summer Against Hunger is anything but a feel-good gimmick. Thanks to ingenious leveraging by Robert Stein, company founder, every dollar spent on purchases from The Cable Company in the month of August results in almost $2 donated to a specific project of C.A.R.E., a leading humanitarian organization fighting global poverty. Given that C.A.R.E. is one of the more efficient charities around—over 90% of donations go directly to programs and recipients, rather than to administration—this means that for every $100 purchase you make during the month of August, a donation of over $180 will go directly to people and communities in need.

Cedille Records, the label of The Chicago Classical Recording Foundation, has just released its first three high-resolution FLAC downloads. Available in 24-bit/44.1kHz sampling rate format (as well as 16/44.1 and 256 kbps MP3), complete with accessible liner notes and cover art, the titles are a treasure-trove for classical aficionados and collectors.

First up is Winging It: Piano Music of John Corigliano. Performed by Ursula Oppens, who has achieved legendary status as a new music virtuoso, the CD includes the world premiere recording of Winging It (2008), which the Pulitzer Prize-winning Corigliano wrote for Oppens.

Even newer are Capricho Latino, a disc from violinist Rachel Barton Pine of rare Spanish and Latin American music written solely for the unaccompanied violin; and The Pulitzer Project, performed by the Grant Park Orchestra and Chorus under Carlos Kalmar and Chorus Director Christopher Bell. Pine's disc includes Alan Ridout's Ferdinand the Bull with narrator Héctor Elizondo, and 13 other works by composers familiar and obscure. You can sample a few of the tracks before purchasing.