Jim Austin

Shure E4 in-ear earphones

In New York and other major cities, I understand, bus accidents are a real problem. Buses turn right and failing to yield to pedestrians. Clueless pedestrians walk in front of buses. I haven't seen any statistics, but I'm guessing that in this era of cell phones and iPods, the problem has gotten worse: not only do such devices distract you, they make it harder to hear warning signs—such as the sound of a municipal bus bearing down on your ass.

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NAD C 372 integrated amplifier

At the extreme high end&mdash;Halcro, VTL, Boulder, etc.&mdash;reviewers gush about a lack of character. If you're paying $20,000, you want a preamplifier or power amp to disappear. At those price points we also want extreme, unfatiguing resolution, and noise that's well below what most people would consider audible. But at those prices, an <I>absence</I> of character is definitely something most people aspire to.

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Chips for Chumps

In his "From the Editor's Desk" in the March issue of Stereophile's e-newsletter, John Atkinson recounts how, years ago, "erstwhile audio scribe Enid Lumley" demonstrated her pizza-box-tripod tweak at a hi-fi show. Lumley, JA writes, "placed the tripod atop a CD player and convinced her audience—including me—that the sound was better."
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The Digital Genie's Out of the Bottle

In early 2000, the British magazine <I>The Economist</I> published a lead editorial addressing America Online's acquisition of media giant Time Warner. In the editors' view, TW was a clunky, old-style media company that needed a fresh injection of dot-com blood to help them reach a more narrowly targeted audience. "Sex, shopping and violence," the editors wrote, echoing Internet visionary George Gilder, "...are what people have in common. What differentiates them is their enthusiasm for folk music, tropical fish, or Viennese waltzes."

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House Calls & Home Auditions

Conventional wisdom has it that you should listen to an audio component, preferably in your own system, before you decide to buy it. But who, these days, has the opportunity to do this consistently? Even an audition in the store isn't guaranteed; I have to drive two hours to get to the nearest dealer with decent customer service and a good inventory of interesting gear. And though he generally stocks a fairly wide range of components, like any dealer, he carries only a small sample of all the hi-fi gear that's currently, in principle, available.

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Vinyl Value

I recently bought a turntable, the first I've owned in about 15 years. I had sold my vinyl collection&mdash;a mix of classic rock, early 1980s pop, and the odd jazz or classical LP&mdash;when I was in grad school, for economic reasons: I needed the money for rent, or food, or beer, or something. Nor do I know what happened to my old plastic turntable; more than likely, I left it curbside for anyone strolling by who was able to appreciate its value.

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