Robert Deutsch

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Robert Deutsch  |  Jan 11, 2012  |  0 comments
The Best of Innovations winner in the Headphones category was the Sonomax eers ™ earphones, described as "the world's only custom-fitted earphones that can be fitted in 4 minutes, [offering] incomparable sound isolation, fidelity and comfort."
Robert Deutsch  |  Jan 11, 2012  |  0 comments
The 2012 Best of Innovations award in the High Performance Home Audio category went to the Devialet D-Premier DAC/preamp/amp. It also got the award for Most Difficult to Photograph Audio Product. Note the reflection of my badge, intended to show that this is not just a manufacturer-provided photograph. Devialet is distributed in North America by Audio Plus Services and Stereophile has just received a sample for review.
Robert Deutsch  |  Jan 11, 2012  |  0 comments
The first major press event at CES, scheduled to start at 4 pm on the day before the Press Day, is something called CES Unveiled, described as "a pre-show look at who will be making news headlines before the show officially opens...catch all the latest products in one room." This description is a bit...well...exaggerated. The exhibitors are mostly small companies, with no representation from heavy hitters like Sony, Panasonic, Sharp, etc. The high-performance audio companies also pass on it.
Robert Deutsch  |  Jan 11, 2012  |  2 comments
This photo should give you an idea of what it was like once inside. And, yes, camera fans, that's a Canon DSLR with what looks like a big L-series lens, being held up above the crowd. Which brings up another point about why there were more people at this year's CES Unveiled: this year, PMA, the photoimaging manufacturers' association, has joined CES—they call it PMA@CES—so in addition to the consumer electronics press there are also the photo equipment journalists.
Robert Deutsch  |  Jan 11, 2012  |  1 comments
In a scene reminiscent of Disneyland, the DISH Network mascot did his best to keep the crowd amused.
Robert Deutsch  |  Dec 29, 2011  |  First Published: Jan 01, 2012  |  6 comments
You know about them: audio products or tweaks that fall outside the standard definition of audio component. They're not source components like CD players, not amplifiers or preamplifiers, not loudspeakers, not power-line conditioners or cables—and, if aimed at modifying room acoustics, they're not the standard devices that absorb or disperse sound. Let's call them Unorthodox Audio Products (UAPs). They promise a kind of audio panacea: something that fixes whatever's wrong with the sound of your system.
Robert Deutsch  |  Dec 27, 2011  |  First Published: Dec 01, 1991  |  3 comments
I must admit that, for a long time, I found it difficult to accept the idea that a major portion of one's audio budget should be spent on the preamplifier. Speakers, yes—they produce the sound; amps drive the speakers, so they're important. And source components? Well, everyone knows it's garbage in/garbage out. But a preamp? Even the name suggests something that's not quite the real thing, like pre-school, pre-med, or premature. Unlike amplifiers, they don't have to contend with loads that sometimes approach a short circuit, and heat dissipation is not normally a problem. What's the big deal?
Robert Deutsch  |  Dec 15, 2011  |  2 comments
For anyone who's been around the audiophile block a few times, Conrad-Johnson Design is a brand that needs no introduction. My first acquaintance with Conrad-Johnson was before I began writing for Stereophile (more than two decades ago—time sure flies fast when you're having fun!). I was in the market for a new preamp, having become convinced that my Dayton Wright SPS Mk.II was the weak link in my system, and had narrowed my choices to two similarly priced products: a solid-state model made by PS Audio (I'm not sure of the model number), and the tubed Conrad-Johnson PV-2ar. They were carried by different dealers, who allowed me to take their preamps home over the same weekend for a direct comparison. I was impressed by both preamps, and was sure that either would represent an improvement over the Dayton Wright, but in the end decided to go for the PV-2ar. I later traded it in on a dealer's demo unit of another Conrad-Johnson preamp, the PV-5. And, as it turned out, one of my first reviews for Stereophile was of Conrad-Johnson's PV-11 preamp.
Robert Deutsch  |  Oct 03, 2011  |  2 comments
Every person I talked to—manufacturers, distributors, dealers, and, most important, audiophile visitors—were most enthusiastic about their experience at the Toronto Show. Of the visitors, perhaps typical was the brother of a neighbor of mine, who lives in Florida and made a point of timing his visit in Toronto such that he'd be able to attend TAVES. Both brothers came to the show, and took pains to look for me and tell me how much they enjoyed it. The brother from Florida said that there are not many audio dealers in his part of the country, and he really appreciated the opportunity to see and hear so many products that he had only read about in Stereophile.

The exhibitors I talked to were uniformly positive about venue, and about the efficiency of the TAVES staff. Congratulations to Suave Kajko, Simon Au, Sarah Tremblay, and Michel Plante (L–R in the photo): a winning team.

Robert Deutsch  |  Oct 03, 2011  |  0 comments
On their website, the only products listed are cables and stepup transformers, but at TAVES, Blueberryhill Audio had a new speaker on demo. And what a speaker! The Rhapsody 3D has a bipolar arrangement of two 8" full-range Fostex drivers, supplemented by a Fostex supertweeter, and a servo-controlled powered subwoofer, with all the drivers in cylindrical cabinets. The sound was fabulous, with startling dynamics, great imaging, and bass that was tight, well-controlled, and extended. The Rhapsody 3D was being driven by an 8W 300B amp for the mid/highs and another 25W tube amp for the supertweeter (or maybe the other way around; my notes are not clear on this). Sold factory-direct at $15,000/pair, the Rhapsody 3D system provided for me one of the best sounds of the show.