Stereophile Staff

Stereophile Staff  |  Jul 15, 2001  |  0 comments
Several months back, Stereophile editor John Atkinson asked David Rich to investigate the technical merits of SACD. With Super Audio CD: The Rich Report, DR discovers that there is both more and less than meets the ear to the new format, including why it is being promoted in the first place.
Stereophile Staff  |  Jul 08, 2001  |  0 comments
Brian Damkroger finds that, while struggling unsuccessfully to fit the Conrad-Johnson Premier 17LS line-stage preamplifier into his preconceived notions of the company and its products, a paradigm shift in his thinking occurred. Damkroger explains that "it was only during a marathon session of listening and comparing the C-J to a couple of other preamps that the truth dawned on me . . . I went back and forth between the C-J and the other units several times over the course of the next week, and one evening it hit me." The truth awaits.
Stereophile Staff  |  Jul 08, 2001  |  0 comments
On Monday, July 2, 2001, Primedia announced that it has agreed to acquire emap usa from Emap plc. This transaction, which will create the second largest magazine company in the United States, is currently under a customary regulatory review. It is expected to close during the third quarter of the calendar year.
Stereophile Staff  |  Jul 01, 2001  |  0 comments
Last week, Asahi Kasei Microsystems Semiconductor (AKM), which supplies audio ICs for professional and consumer products, announced its line of Direct Stream Digital (DSD) Digital-to-Analog converters capable of supporting both Super Audio CD (SACD) Direct-Stream Bigital and 24-bit/192kHz LPCM DVD-Audio formats.
Stereophile Staff  |  Jul 01, 2001  |  0 comments
As John Atkinson puts it, Meridian usually does things "their way," putting amps and DACs inside of speakers in an all-out attempt at "re-creating the original soundfield, no matter how many speakers and channels it takes to do it right." But as Atkinson finds, the Meridian 518 Digital Audio Processor might be the company's most perverse product: "The $1650 518 offers digital inputs and outputs only. It can digitally perform gain and source selection; it can change data with one digital word length to data with another; and it does all these things with 72-bit internal precision." So JA asks, "How does the 518 fit within a conventional high-end audio system?" Read along as he figures it all out.
Stereophile Staff  |  Jun 24, 2001  |  0 comments
The compact disc has given rise to all sorts of questionable accessories: magic pens with green ink, reflective stickers, rim dampers, absorbent mats, spindle weights, cleaners, buffers, polishers, and demagnetizers. It's amazing how many products are needed to make perfect sound perfect.
Stereophile Staff  |  Jun 24, 2001  |  0 comments
As Michael Fremer reports, critics have universally hailed Infinity's $8k flagship Prelude MTS. But can the success of the MTS trickle down to the lower price points? For his review of the $2000/pr Infinity Intermezzo 2.6 loudspeaker, Fremer set out to determine if the more modest sibling is a "worthwhile chip off the old block or just a marketing divot."
Stereophile Staff  |  Jun 17, 2001  |  0 comments
They've been around for years, under a variety of guises and from an evolving list of manufacturers and distributors. But the BBC LS3/5a loudspeakers still cling to their legendary status. We provide not only J. Gordon Holt's original 1977 review for Stereophile, but also follow-ups from 1984, 1989, and 1993. Read about the little speaker that could.
Stereophile Staff  |  Jun 10, 2001  |  0 comments
In his The Fifth Element #2, John Marks discusses in detail how to use common household items to render some audiophile magic. Marks explains, Aall you need is a very long piece of string, a tape measure, two bits of masking tape, a quantity of small self-adhesive removable note papers, and later, perhaps, a trip to the fabric store."

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