Stereophile Staff

2008 Records To Die For

The value of music as a commodity, and as one of mankind's wonders, has never been in such flux. Retail record shops are dying, the former major labels are focused on making records for kids (the same kids they're suing), and the business overall remains wedded to an incredibly short view (get a hit or get out), but the music itself continues to trickle through to those who want it—and, yes, on some level would die without it.

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Montreal Show Starts Thursday

<I>Stereophile</I> is partnering with the <I>Festival Son & Image</I>, to be held in Montreal, Canada, Thursday April 3 through Sunday, April 6. The first day is for trade and press only&mdash;public admission starts on Friday at 11am. More than 120 brands will be demonstrated in rooms on 11 floors of the Sheraton Centre hotel in downtown Montreal, and the Show's keynote speech is being given by Monster Cable's Noel Lee at 10am on the trade day, Thursday April 3.

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Stereophile Sponsors Festival Son & Image

The Home Entertainment Show, promoted by <I>Stereophile</I>, <I>Ultimate AV</I>, and <I>Home Theater</I> magazines, successfully showed off the best in high-end audio and home theater to enthusiasts from 2001 through 2007. However, following its acquisition of the magazines in August 2007, Source Interlink Media decided not to promote the Home Entertainment Show in 2008. Instead, <I>Stereophile</I> is partnering with the Festival Son & Image, to be held in Montreal, Canada, Thursday April 3 through Sunday, April 6. (The first day is for trade and press only.)

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A Must-Have Rachmaninoff CD

It starts quietly enough, with a simple falling-fifth motif, but the first movement of Sergei Rachmaninoff's neglected Piano Sonata 1 develops into a work of epic proportions nearly 40 minutes in length, with haunting melodies, massive dynamic contrasts, and lush, sensual harmonies.

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2007 Records To Die For

This year marks the tenth time I've written an introduction to Stereophile's venerable annual feature "Records To Die For." Looking back, I'm proud that readers always find it useful and entertaining. I'm also amazed, on some levels, that our writers—hardware or software, deadline-phobic or not—manage to find something worthwhile to say, year in and year out, about music—which, after all, is why we became audiophiles in the first place.
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