CES 2011

Epos’ Epic 2 ($799/pair) uses the same 1” soft-dome tweeter found in the smaller Epic 1, but with a larger cabinet and 6.5” mid-woofer, the Epic 2 is designed to offer greater sensitivity (90dB), bass output, and power handling. Like the Epic 1, the Epic 2 is available in cherry and black ash vinyl veneers and provides a removable baffle cover.

Introduced a couple months back, the Moon 100 D DAC includes coax and optical SPDIF as well as USB inputs. It also features an asynchronous sample rate converter and operates at 24bit/192 via SPDIF and 16/48 via USB.

All this for $699. "It's a killer" says Simaudio's Lionel Goodfield.

The v.6 ($358/pair) is the latest iteration of Paradigm’s classic Atom monitor, a loudspeaker I’ve been attracted to for a long time but have never actually heard. With its 1” high-purity titanium-dome tweeter and 5.5” carbon-infused mid-woofer, the speaker is optimized for high sensitivity (90dB) with high output and low distortion. Impressively finished, the Atom v.6 is available in cherry, rosewood, wenge, white, and black ash veneers. I will have to listen to this speaker at some point in the future.

In Paradigm’s Signature S-1 ($1798/pair) a 1” pure-beryllium (P-Be) tweeter and 6” cobalt-infused anodized pure-aluminum (CO-PAL) mid-woofer are housed in a die-cast aluminum cabinet, said to work as an effective heatsink. Extensive internal bracing and constrained layer damping are employed to minimize vibrational energy. Cherry, natural maple, and black ash wood veneers are available.

To celebrate its 20th Anniversary in the cable business, Nordost has just introduced its new Leif Series. The series consists of four levels:
White Lightning ($179.99/1m pair interconnects, $359.99/2m pair speaker cable); Purple Flare ($249.99/1m pair interconnects, $499.99/2m pair speaker cable); LS Blue Heaven ($349.99/1m pair interconnects, $699.99/2m pair speaker cable); and Red Dawn ($499.99/1m pair interconnects, $999.99/2m pair speaker cable).

Of special interest is the change to Nordost’s old standby, the now-discontinued Blue Heaven. “I still remember when we introduced our Blue Heaven cabling 18 years ago,” Lars Christensen (seen here in the photo) recalled at the beginning of the demo in the Venetian. “We thought it was so expensive that we wouldn’t be able to sell it. Now, for much less money, we’ve got Nordost’s new 20th anniversary cable, White Lightning.”

With only four years since their first headphone product introduction, Klipsch's Regional VP Johnny Williams says recent market data shows the company now ranks among the top ten headphone brands in monthly sales; and their Image S4 in-ear monitor ranks as the fourth most popular in-ear monitor sold. Pretty impressive. . .and warranted. Balancing broad consumer appeal and audio performance is an act all too often not pulled off in the headphone world now seemingly filled with rapper-endorsed products and monster bass.

With significant success entering the market now under their belt, Klipsch has refreshed their IEM line with upgrades and new introductions, including the S5i Rugged—which sports a rubberized look and a sweet hard-shell carry case with built in LED flashlight/runner safety blinker. The big surprise, however, is a new traditional on-ear headphone: the Image One. Not everyone wants to stick things in their ears, after all. Nice to see a maker that knows how to play well.

One of my favorite systems at CES 2011: A Pro-Ject Perspex turntable ($2000) featuring magnetic isolation to prevent acoustic feedback, a carbon fiber tonearm, and Sumiko Blackbird cartridge ($899), CD Box SE CD player ($799), Tune Box SE II MM/MC phono preamp ($749), Pre Box SE with four inputs ($499), Amp Box SE mono ($1098/pair), and matching Speaker Box 5 loudspeakers in high-gloss white ($399/pair). Speaker cable was Pro-Ject’s own, and a REL T5 subwoofer was supporting the low-end. Even at low volumes in a busy room, the music was marked by fine detail, clarity, and speed. Joe Pass sounded as remarkable and unignorable as ever.