RMAF 2008

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Stephen Mejias  |  Oct 10, 2008  |  First Published: Oct 11, 2008  |  2 comments
Hosted by Luxman, Synergistic Research, and Vivid Audio, the event was billed as "a private reception of fine music, conversation, and superb wine." Gus Gus played in the background, the room was filled with smiles, and, indeed, the conversation flowed as easily as the wine. While it was great to become reacquainted with some familiar faces, I also enjoyed the opportunity to make new connections.
Stephen Mejias  |  Oct 11, 2008  |  0 comments
"But what I really want you to listen to is this."
Jason Victor Serinus  |  Oct 11, 2008  |  2 comments
Here's a more modest system than some of the others featured so far that really nailed the raucous highs on a curious wind version of Revueltas' wild, ritualistic Sensemaya. Veteran high-end designer Frank Van Alstine was justly proud of his Ultra 550 hybrid power amp with its 300Wpc ($2395), Transcendence Eight vacuum-tube preamp ($1299 with optional remote and phono stage), and Insight Solid State DAC ($999). Paired with the Jim Salk Sound Veracity HT3 3-way loudspeakers with their 10" woofer ($4895), this system was making sounds worth checking out.
Jason Victor Serinus  |  Oct 11, 2008  |  1 comments
I know. It sounds a bit like a Beatles flashback. (Note the psychedelic colors on Ron Hedrick's face, for reasons that only the Marriott lobby's lighting designer can explain). But this seems to be a very 2008 product. Marigo's Ron Hedrick spent 2 years building 120 prototypes before releasing his VX Mystery Feet for amplifiers, DACs, and other components ($699/set of three), and TR Mystery Feet for digital transports and CD players ($659/set of three). Each support foot consists of 32 parts, with 10 constrained layers of composite material that are first heated, then pressed at 1000psi. Hand-assembled, the feet include little brass inserts on the component end to distribute energy. You balance your components on the protruding little brass thingees on one end and pray there's no earthquake.
Jason Victor Serinus  |  Oct 11, 2008  |  0 comments
So new that they don't yet have a price or production facility, the Red Rock Synergy speakers did wonders with Ron Carter's double bass. On the superb Chesky CD, Entre Amigos, every single note of Carter's bass was perfectly controlled, perfectly pitched, and absolutely lifelike, with not an iota of boom. The great bossa nova singer Rosa Passos was similarly treated with the utmost respect and love. The speaker features a 15" dynamic woofer, crossed over at 600Hz; a Tractrix horn-loaded magnetic-planar midrange that crosses over at 8kHz; and a ribbon tweeter of unspecified origin. Designed by Gordon Maughan, the Synergy speakers made a fitting complement to the Red Rock Audio Renaissance SE 50W triode amplifiers ($29,500/pair), Wadia 781i CD/SACD player with digital input ($14,950), and Red Rock Audio cabling. Oh how I wish Carter's bass sounded anywhere near this good on my own speakers. Here's hoping Al Stiefel and Gordon Maughan find someone to build these babies soon.
Jason Victor Serinus  |  Oct 11, 2008  |  0 comments
If there's anything I expect from Dynaudio, it's superb bass. Dynaudio's 30th-anniversary Sapphire ($16,500/pair) certainly produced copious amounts of bass. But the speaker gave me far more than sheer volume. In combination with the Wadia 781i transport/DAC ($15,000), Pass Labs XA100.5A monoblocks ($16,000/pair), Grand Priz Monaco Amplifier Stand, and XLO Signature 3 SE-1 power cords ($1100/8'), S3-2.2 balanced interconnect ($900/m), and S3-4.2 digital cable ($455/m), the system delivered some of the most well-proportioned, beautifully delineated bass I've ever heard. The opening of Mahler's Symphony 2 is rich with the sound of cellos, violas, and basses, and this system nailed each and every line with rare beauty. On the other end of the spectrum, soprano Elly Ameling's voice radiated angelic sweetness. Pictured with the equipment they represent are Dynaudio's Michael Manousselis (l) and Wadia's Martin E. Cooper (r).
Stephen Mejias  |  Oct 10, 2008  |  First Published: Oct 11, 2008  |  0 comments
I had the great pleasure of meeting Ann Poor. That's Ann there, two-fisting it, standing beside On A Higher Note's bow-tied Philip O'Hanlon. Audiophiles may be more familiar with Ann's husband, Balanced Audio Technology's Geoff Poor. Oh, yeah—I got to speak with Geoff, too, but Ann was way more interesting.
RMAF 2008  |  Oct 11, 2008  |  5 comments
See this little guy? It's the Gradient Helsinki ($8000/pair). I'm a big fan of this weird-ass speaker. Rather than placing its drive-units within a cabinet, the drive-units are laid bare, free for the world to see, mounted onto the speaker's narrow body. Why? Free love. Free love! Cabinet resonances are eliminated. The Helsinki's dipole-radiation woofer projects sound from side to side, canceling out top-to-bottom sound waves and minimizing deleterious room reflections.
Jason Victor Serinus  |  Oct 11, 2008  |  0 comments
I literally breathed a sigh of relief when I entered this room. Not that anything was wrong with the exceptional sound of the vast majority of rooms I visited. But of all the systems I auditioned, this one felt most like a safe haven. It was like coming home.
Jason Victor Serinus  |  Oct 11, 2008  |  0 comments
How I wish I could have seen Stephen Mejias' reaction to the Montegiro Lusso Komplet turntable ($33,000), distributed in the US by Koetsu USA. This thing looks like a cross between a tray of black and white ice cream parfaits and something from a Fellini movie. But it sure sounded good. Equipped with two arms, from SME and DaVinci, and two Koetsu cartridges, the Coral Stone Platinum ($15,000) and Onyx Platinum ($8000), the KMLK (for short) was making magic through Chario Serendipity Sovereign loudspeakers ($17,000/pair).
Jason Victor Serinus  |  Oct 11, 2008  |  4 comments
Over in the Tech Center Hyatt, Mark Schifter's AV123 corralled a huge room in which to showcase their soon-to-be-shipped flagship LS9 Focus Line Source speaker ($5999/pair). Powered by gorgeous Dodd Audio KT-88 monoblocks (approx. $40,000/pair—there was no literature on hand), the brand new Ultra Fi Music Stream USB-connectable DAC ($3499) with a proprietary analogue output stage designed by Larry Moore, a Ridge Street Audio USB cable that he waxes ecstatic about, and a laptop equipped with every kind of classical music (except what I wanted to hear), the system was creating astoundingly large-scale, believable images and enveloping sound. While designer Danny Richie's proprietary woofer array was issuing tremendous bass, a touch of brittleness on the highs gave evidence of the fact that the planar-magnetic tweeters had hardly broken in. You can bet that I'll be back again on Sunday to hear how they sound with some more hours on them. What this speaker does for the price is astounding.
Jason Victor Serinus  |  Oct 11, 2008  |  13 comments
Not every breakthrough product available through cable manufacturer Nordost costs an arm and a leg. The new Quantum Resonant Technology products distributed worldwide by Nordost Corporation are a prime example. While the QX-2 costs $1700, and the larger QX-4 costs $2500, their amazing effects on sound suggest a product I'd expect to cost far more.
Stephen Mejias  |  Oct 11, 2008  |  0 comments
Standing beside my friend, the Gradient Helsinki, is the Harbeth M40.1 ($12,995/pair), recently reviewed by Art Dudley. It's actually larger than it appears in this photo. I love its old-school wide-baffle design.
Stephen Mejias  |  Oct 10, 2008  |  First Published: Oct 11, 2008  |  0 comments
I was walking through the lobby of the Marriott when I heard the most wonderful, realistic music. Some system was recreating the sound of a marching band rocking some really badass beats, with such immediacy and impact and such wealth of color and emotion that it was almost like the real thing. It sounded like the guys in the parking lot at Shea Stadium after a Mets victory. In fact, it was extraordinarily realistic.