CES 2006

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Rocket 88s

"What's new?" we asked Halcro's Philip O'Hanlon. He ushered us into a room with the brand new ("North American premiere") dm88 250W monoblocks ($40,000/pair). Also in the room were Hanlon's own pair of Classic Audio Reproductions T-3s ($16,500/pair and up, depending on finish)—updated reproductions of James B. Lansing's Hartsfields.


John Curl's At It Again

High-end amplifier guru John Curl, well-known for his early designs at Mark Levinson Audio Systems and for the Vendetta">http://www.stereophile.com/phonopreamps/640/">Vendetta phono preamplifier—some regard this as the finest head amp ever made— was at the Alexis Park to discuss his latest design for Parasound, the JC-2 preamplifier. [The price of the JC-2 has not been determined yet, but will be somewhere in the vicinity of $3200.] John was particularly pleased to point out that he had worked with the same circuit-board designer from the Vendetta days. He also pointed out the preamp’s "D-core" power transformer, which has an oval core at right angles to the winding. John believes that this is much quieter than a conventional toroidal transformer. However, he had persuaded Parasound to omit a phono stage because even the D-core transformer wasn't quiet enough for him. That brought up an obvious question—would he reintroduce the Vendetta? Although nothing was definite, he noted, "I'll probably have to do something because everyone is bugging me to bring it back."


NFS Audio's Magic Potion

Parting the colorful wooden beads makes a sound like brushes against snare. I'm enveloped in soft green glow and the sweetest scents of liquor and jazz. I stand in the corner, trying to figure it all out. Two of the tallest speakers I've ever seen — vintage Acoustat 2+2s — climb all the way up to the ceiling. There's a glowing palm tree dancing between them. Along the walls are concert posters and all sorts of album art. To my right is a mirrored alcove, a bar area, holding many varieties of absinthe and other liquors I've never seen. The room is filled with smiles and everyone seems very comfortable, intoxicated. The space isn't set up for optimal listening. There are no rows of neatly arranged metal conference chairs. Instead there are couches and armchairs. In one, sits a man with his daughter in his lap. He taps his hand to the jazz, while the young girl nods her head in time to the snare hits. Together, they move from one seat to the next, and the girl immediately reacts to the difference in sound. The father — I learn his name is Marty — explains to his daughter, Briana, that they have just moved into a better listening position. "It sounds so different," she says.


Eggleston Fontaine II

It has been a while since we saw a new design from Egglestonworks, so we were happy to see the Fontaine II ($5500/pair.) The Fontaine has a small footprint and looks even smaller than its 41" height would suggest. the driver complement is a 1" fabric dome tweeter and two 6" midrange/woofers. Like the other EW designs, the Fontaine II utilizes a transmission line.


Baby's Got BAT

Balanced Audio Technology's Geoffrey Poor proudly showed off BAT's new Solid-state preamp, the VK42SE ($5995). Those ominous looking black cans are brand new state-of-the-art oil-filled capacitors, which will sport a different livery in the production model, by the way. The 42SE features BAT's power supply bypass, dual mono, zero feedback circuitry and it sounds "more tubelike than some of our tubed designs," Poor proclaimed. "It's like a VK42 on steroids! It has more air, more liquidity, and more testicular fortitude. I don't know why we don't have it in the system."


DJ Shortround Technos With Intel

If anyone was even in danger of presuming vinyl was passé at CES, all they had to do was come within earshot of the energetic DJ manning dual Stanton turntables at Intel's Las Vegas Convention Center booth. The DJ, Vince Pistricola, aka DJ Shortround, emerged from the Detroit music scene as a DJ and magazine publisher covering the latest in hip-hop with his Detroit Equipment Quarterly. As I took some time out to listen, DJ Shortround blasted through the din from thousands of rushing conventiongoers with a steady diet of techno. Although you'd think DJ Shortround's frantic scratching would wear out 10 phono cartridges an hour, he says that he has a "light" touch. And no he doesn’t have green skin—that was the effect of the lights!


SACD Sounds from Esoteric

Esoteric's two-box (transport plus D/A converter) SACD player, feeding A70 amps (not sold in the US), an Audio Research Reference 3 preamp, and a pair of Aerial Acoustics 20T speakers combined to produce one of the smoothest, most musical sounds I heard at the show.


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