Stephen Mejias

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How to Fold a Pocket Square

It's a bit of a shame about the blog: I often don't get started on an entry until late in the day. For instance, I'm starting this entry at 5:23pm. At 5:23pm, most people are on their ways home, while I'm here, feeling like I'm just getting started. And I put a lot of effort into these words. It takes some time. Even the shitty entries take awhile. I hope this doesn't sound like a complaint. I'm not complaining. I actually enjoy these circumstances. I'm relaxing now. Tarkio's">http://www.killrockstars.com/bands/factsheets/tarkio/">Tarkio's keeping me awake with banjos and bells, and, aside from the random e-mail, there are no more interruptions to keep me from writing, which is what I love most. I like this time. I like 5:23pm. I like my job. Which gets me to something else I wanted to mention, had I had the opportunity to simply mention it when it came to mind, rather than beating around the clock like this:


Opposite But Equal To

I've heard some of the guys — John Atkinson, Wes Phillips, Art Dudley — talk about a certain feeling. It's a strange kind of, mildly irrational, but altogether real, bit of sadness topped off with a touch of guilt and/or regret that sneaks up on the audio reviewer when the time comes to return a piece of gear to its manufacturer.


Quality (Sound and Otherwise)

Here, in this entry, I'm looking for a way to casually and intelligently — and perhaps even humorously — mention sake&#150soaked">http://vpo3.virtualpressoffice.com/document.jsp?id=1146143593137">sake&… wood cone speakers. Because sake&#150soaked wood cone speakers are weird. And interesting. And funny. And that kind of weird, interesting, funny stuff needs to be pointed at and teased, wondered upon and caressed. But I will fail at being clever about it, I will throw subtlety out the window, and I will just blurt it out at the start.


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