Headphones in Florida: Moon Audio, Auris, Aurender, Chord, Audeze
A friend had advised me to go listen to the single-ended Auris Nirvana IV headphone amplifier ($5700), deeming it "in some ways" an improvement over Auris's beloved Headonia model. Mission accepted.
High End By Oz, Lansche, Thrax, Hifistay, Rotel, S.I.N. Audio, Albedo
A real drum kit at the Florida expo? Standing in the second-floor hallway, I could've sworn I heard just that. Five seconds later, reality set in when Dave Brubeck's famous piano chords joined Joe Morello's 5/4 jazz groove. It was the recorded sound of Morello's drums on "Take Five" that had emanated from the Embassy Suites' Kennedy Room, where High End by Oz, a Connecticut distributor, was demoing its wares. (I sincerely love it when my brain gets tricked like that.
MC Audiotech's TL-12 speakers at the Florida Show
What does the MC in MC Audiotech stand for? Marvelously Cutting-Edge? Master 'Coustician? I would've guessed Mark Conti; Conti is, after all, the founder of the Pennsylvania-based boutique brand. But the man himself told metongue in cheek, I reckonthat MC is actually short for Musica cordis, a Latin phrase that means "Music from the heart." Works for me, especially after I heard his latest loudspeaker, a blond beauty called the TL-12.
More Headphones: Warwick Acoustics, Aperio, Bravura, Sonoma
While my collection of personal audio is pretty much complete (with high-end entries from HiFiMan, Audeze, Focal, and Sennheiser), I'd consider an addition from Britain's Warwick Acoustics if I were currently in the market for further headphone bliss. Warwick's Aperio Black (above)a $32,000 combo of a balanced electrostatic amp/energizer plus an accompanying open-back headsetis near the top of Mount Olympus.
On A Higher Note: Graham Audio, Moonriver, Bergmann, Cardas
It's a personal thing, perhaps a shortcoming: I don't care for harps, having never heard a piece of harp music I found appealing. Truthfully, that didn't suddenly change when I heard French Canadian harpist Isabeau Corriveau perform in the Embassy Suites room outfitted with hi-fi gear from On a Higher Note, distributor Philip O'Hanlon's company. (O’Hanlon can be seen on the right in the photo.) But Corriveau is a fetching presence and a helluva musician, and it was impressive to listen to her play along to A Leap of Faith, a vinyl disc of her own music. With eyes closed, I had a hard time reliably delineating the sonic boundary between live instrument and recorded music.
PAD Hifi, TAD speakers and electronics, Synergistic, Jocavi
Although TAD is a Japanese brand, there's something dry, almost German about the name, which stands for Technical Audio Devices. It's comparable, in my book, to T+A, one of Germany's leading high-end companies, whose initials mean Theorie + Anwendungthat's Theory + Application. I like this just-the-facts approach, as long as the products leave room for emotion . . . maybe even a spot of sorcery. On that score, no worries about either brand.
After a years-long absence, TAD is back on the US market, represented by Dave Malekpour of Massachusetts' PAD Hifi Distribution (PAD stands for Professional Audio Design. Were these two made for each other or what?)
Von Schweikert Audio, VAC, Synergistic Research, and Scott Walker Audio
On the third and last day of the Florida Audio Expo, I realized I hadn't listened to Von Schweikert speakers in donkey's years. With only 35 minutes to spare till closing time, I made my way to the third-floor room where, according to the show literature, I should hear a pair of Von Schweikert Endeavor floorstanders ($31,000) being driven by a generous complement of multikilobuck tube components. Sure enough, the candy-apple-red speakers were there, tethered to a VAC Master Signature preamp ($44,000 with a phono stage), and from there to VAC Master 300 monoblocks ($74,000/pair). The $36,000 VPI Avenger Direct turntable was in repose when I arrived, ceding front-end honors to a $28,000 Berkeley Audio Design Alpha DAC Reference 3.
What I picked up at the Florida Expo 2023—besides COVID
It was bound to happen sometime. The day after my return from the Florida Audio Expo, I tested positive for COVID. I'd worn a facemask on the plane, but not during the three days of pressing the flesh, listening, and reporting. (In fact, no one at the show did.) I suppose I paid for my lack of super-caution with several days of chills, headaches, violent coughing, and brain fog. This also accounts for the delay in getting the final batch of show reports out to you. Apologies!