Jason Victor Serinus

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Crazy Cello Shredding from Edgar Moreau

I'm not sure what possessed me to listen to young Edgar Moreau's Erato recording, Offenbach & Gulda: Cello Concertos, with Les Forces Majeures conducted by young Raphaël Merlin. Was the moon in that phase when it appears to be laughing at we earthlings? All that is certain is by the time I had heard but a minute of the first movement of cellist/composer Offenbach's concerto, it was clear that I'd be laughing through at least half of the notes that lay ahead.

Currentzis Turns to Mahler's Sixth Symphony

The utter devastation and hopelessness conveyed by Teodor Currentzis' recent Sony Classics recording of Tchaikovsky's Symphony No.6, "Pathétique," was so shattering that I could not wait to hear what he and his MusicAererna orchestra of Perm, Russia would do with Mahler's Symphony No.6 in a, "Tragic." In fact, I was so eager to experience Currentzis' first recording of Mahler's music that I listened to the 24/96 download even before the physical CD becomes available on December 7.

Danes Peer Through the Lens of Bach

The still youthful Danish String Quartet, whose 2016 release on ECM New Series inspired this glowing review in Stereophile, has returned with another hi-rez recording, Prism I (ECM New Series 2561), the first in a projected series of recordings for ECM New Series that will place one of Beethoven's late string quartets in the context of a related fugue by J.S. Bach and another linked quartet.

Danish String Quartet's Three "Firsts" Point the Way

One of the great joys of reviewing is discovering music with ideas so fresh, and harmonic progressions so inventive, that the simple act of listening without distraction inspires unique emotional and intellectual journeys. Such is the case every time I listen to the recent ECM New Series release, Danish String Quartet: Thomas Adès Per Nørgård Hans Abrahamsen.

David Chesky's Dazzling, Dancing Spanish Poems

David Chesky's The Spanish Poems packs a lot of infectious, dance-like energy into a three-song, 24/48 (or 16/44.1) download. Available at a price commensurate with its 21:28 length, the short cycle sets "The Girl from Guatemala" by José Marti (1853–1895), Sonnet No.5 by Garcilaso De la Vega (1501–1536), and "The Romance of Love" by an unknown author. All dance away in a catchy style that makes ample use of bells, triangle, and other high-pitched percussion instruments.

Debussy As Close as We Can Get

I had all but resolved to move on from reviewing recordings honoring the 2018 centenaries of Claude Debussy's death and Leonard Bernstein's birth when word arrived of Warner Classic's 10-CD bargain box, Debussy: Ses Premiers Interprètes / His First Performers. This set's contents are so important that I want to give Debussy lovers a heads-up so that they can either make room for it in their holiday self-gift basket, give friends ample notice for what they'd like to be playing when 2019 rolls around, or start streaming immediately.

Debussy Sonatas and Trios: Unforgettable Color and Texture

In this 100th anniversary year of the death of Claude Debussy (1862–1918), one of the finest recordings of his music released so far is Erato's Debussy Sonatas & Trios (Erato C565142). Appropriately recorded in Paris, in two different sounding venues, with an all-star French lineup—Emmanuel Pahud, flute; Gerard Caussé, viola; Edgar Moreau, cello; Marie-Pierre Langlamet, harp; and Bertrand Chamayou, piano—the recording is replete with the unique atmosphere, color, and textures that make Debussy's music so unforgettable.

Decca’s 55 Great Vocal Recitals

It would only be fair to expect that in the new historic box set, Decca Sound 55 Great Vocal Recitals, there would be a fair number of clunkers amongst the gold. But that is anything but the case. For just a bit more than $2 per CD, you will end up with so many superb performances, recorded by singers in their prime, that unless you already possess almost everything in the box—I do—or you require English translations for most of its contents, purchase is a no-brainer.

Del Tredici's Child Alice for the Holidays

If the holidays are a time for fantasy, what better way to celebrate than with the first complete recording of David Del Tredici's (b. 1937) absolutely fantastic fantasy, Child Alice for soprano and orchestra? Based on the "Alice" adventures of Lewis Carroll—Alice's Adventures in Wonderland (1865) and the sequel, Through the Looking Glass and What Alice Found (1871)—the first part of Child Alice, entitled In Memory of a Summer Day, won the 1980 Pulitzer Prize in Music, and helped solidify the then 43 year-old composer's position as the foremost exponent of the Neo-Romantic movement in music.

Did Music's Bad Boy Ever Really Reform?

That's the question raised by Antheil: Orchestral Works (Chandos 10982), the latest anthology of symphonic music by composer/pianist George Antheil (1900–1959). This second Antheil title from John Storgårds and the BBC Philharmonic Orchestra finds Storgårds exploring music written on both sides of Antheil's successful Symphony No.4, which can be found on Vol.1 of what looks to be an ongoing Antheil series.
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