TAVES 2011

iPod speaker docks are getting to be a major product category, and although audiophile-oriented manufacturers have initially dismissed them as belonging strictly to the realm of mid-fi (or worse), serious audio manufacturers like B&W and Arcam have introduced products in this category, so perhaps it can't be ignored any longer. Monitor Audio has now joined the fray, with the i-dock 200 ($600) and i-dock 100 ($500). They look like serious efforts, too, with high-resolution DACs, multiple drivers driven by a 50Wpc and a 25Wpc amplifier, respectively, and room correction using built-in test tones. Both sounded good, but I was particularly taken with the larger i-dock 200. If I were in the market for this kind of product, the Monitor Audio i-dock 200 and i-dock 100 would be at the top of my list to check out.

Naim had several products on static display, one of them looking like a small preamp but with an antenna sticking out in the back. I asked Terry Richardson of Audio Plus, North American distributor of Naim products, what this product was; he explained that it was called the Unity QUTE, and said that "it did everything except what a speaker does." Add a pair of speakers and you've got a sound system.

Bryston is one of the most successful Canadian audio companies, and I think a major part of their success is due to the fact that they have a good sense of their market: not interested in fads, but moving with technology to the future, and meeting new trends in listening. Headphones have been around for a long time, but they've been usually peripheral to the interests of audiophiles. This has been changing, and Bryston has a new product to meet this challenge. The BPHA-1 ($1295) is a headphone amplifier that is said to work well with the new headphones that are difficult to drive. Bryston's James Tanner is holding up a prototype of the BPHA-1.

Reev Designs is a new Toronto-based speaker company, with so far just one model: the large, stand-mounted Aetma ($6950/pair). It's a striking-looking speaker, with wooden extensions on each side that are said to be critical in controlling resonances. Frequency response is claim to extend from 44Hz to 22kHz, ±3dB.

Canada Hi-Fi, a print and internet magazine, is one of the sponsors of TAVES (editor Suave Kajko is President of TAVES), and had a booth at the show. Canada Hi-Fi is distributed free to audio and video stores in Canada, but if they decided to charge for their issues, with such charming representatives as Sarah Ferguson and Margaret Waymark, they would be signing up subscribers in no time.

A major part of the success of an audio/video show—and, yes, based on my impressions of the first day of TAVES, it's shaping up to be a success—is having a helpful, experienced staff. Michel Plante and Sarah Tremblay brought with them most, if not all, of the staff of the Montreal Salon Son & Image. I was delighted to see Caroline St-Louis, the talented singer and flute player whose performances with her band are always a highlight of the Montreal show. Although this time she's not performing—she's expecting a baby—she's here helping out at the registration desk.

Every person I talked to—manufacturers, distributors, dealers, and, most important, audiophile visitors—were most enthusiastic about their experience at the Toronto Show. Of the visitors, perhaps typical was the brother of a neighbor of mine, who lives in Florida and made a point of timing his visit in Toronto such that he'd be able to attend TAVES. Both brothers came to the show, and took pains to look for me and tell me how much they enjoyed it. The brother from Florida said that there are not many audio dealers in his part of the country, and he really appreciated the opportunity to see and hear so many products that he had only read about in Stereophile.

The exhibitors I talked to were uniformly positive about venue, and about the efficiency of the TAVES staff. Congratulations to Suave Kajko, Simon Au, Sarah Tremblay, and Michel Plante (L–R in the photo): a winning team.