CES 2007

VTL introduced a new phono preamplifier at CES, the $6500 TP-6.5 Signature Phono Stage, as well as an upgraded MB-450 Signature monoblock amplifier. Using the single-chassis configuration of the TL-6.5 line preamplifier, VTL's phono preamplifier follows its hybrid design approach, using a low-noise J-FET to drive high-current 12AU7 tubes. It features switchable, five-corner, passive RIAA filtering. Gain, cartridge load impedance, phase, muting, rumble filter, and power on/off can be switched by remote.

Von Schweikert Audio's VR-5 SEs ($25,000/pair) aren't new, but once again they impressed Jon Iverson and me with their verve and natural presentation of acoustic guitar. Nils Lofgren's "Keith Don't Go" kept us nailed to our seats for the whole 12 minutes—which, in CES Show mode, is equivalent to seven human years.

As we reported">http://www.stereophile.com/news/032706ces">reported last March, the Consumer Electronics Association decided to move the "high-performance audio" and "high-performance home theater" exhibits of the Consumer Electronics Show (CES) to Las Vegas' Venetian Hotel in 2007. Here, then, in a blatant attempt to scoop my show-reporting Stereophile colleagues, is my picture of the new CES venue. I actually took this picture last year, not in anticipation of the change in show venue, but simply because I’m a sucker for the ersatz-European ambience of Las Vegas hotel-casinos like the Venetian. And whatever the advantages/disadvantages of the Venetian for demonstrating audio equipment, you have to admit that it’s picturesque!

If you're PrimaLuna, it's the DiaLogue, an integrated tube amp available in two models: the $2199 DiaLogue One and the $2499 DiaLogue Two. Both amps deliver 21Wpc in triode operation and 30Wpc in ultralinear mode. What's the difference? The Two comes with Genalux KT88s, Solen capacitors, fast recovery diodes in the power supply, and a high-gloss hand-rubbed finish.

"I have a theory," I said to Jon Iverson. "There are two types of rooms at CES: The ones that make you want to sit down and listen forever and the ones that make you want to cover your ears and run into the halls screaming. This room," I said, encompassing Naim's $85,000 system with my sweeping arm, "is one of the former."

Pathos Acoustics has one of the uniquest design esthetics in audio. Paolo Anriolo and Giaani Borinato beamed with delight as Jon Iverson and I oohed and ahhed over the $8000 Endorphin CD player and $1950 InControl preamplifier.

"Check this out!" Boulder's Richard Maez palmed the remote that accompanies Boulder's 865 integrated amp and 810 preamplifier. "It really fits in your hand—and unlike most remotes, it fits whether you're using your right or your left hand."