CES 2006

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Great Dane

During CES, I kept hearing about GamuT's luxury digs offsite way out in the suburbs beyond McCarran International Airport. "It's incredible," Stephen Mejias assured me. "It has a pool, a pool table, beautiful kitchen, and a Danish chef who will make anything you want." That sounded nice, but Stereophile's busy show-blogging schedule prevented me from partaking of that particular pleasure dome. "No problem," Lars Goller assured me. "We keep the house until Tuesday. Come by on Monday after the show and we'll spend as much time as you want bringing you up to speed."

Handsome Hansen from Canada

Hansen is a new line of ultra high-end speakers from Canada, using proprietary drivers and said to feature extremely dense, non-resonant enclosures. The company is headed by Lars Hansen, who, as former president of the Dahlquist Corporation, is no stranger to the world of high-end speakers. The sound of the Prince ($27,000/pair, third model from the top) was simply excellent—an auspicious debut, I felt.

Here's Where To Stick Your iPod

Continuing our mission to find some good-sounding, small loudspeakers, we wandered on over to the Margules Audio room, where I spotted some cute, little guys hanging out in the corner. Unfortunately, they weren't hooked up to anything that actually plays music. Only the larger speakers were prepared to rock, and after my time with the Piazettas, I really wasn't interested.

Humongous McIntosh Speaker

McIntosh displayed the full-range, $80,000/pair XRT2K speaker in their two-channel room at the Alexis Park. It sets a record for number of
drivers per side—110—with
40 tweeters, 64 midrange units, and six woofers. Frequency response is claimed to be 16Hz–45kHz. The system driven to full volume by the 495lb McIntosh MC2KW monoblock ($30,000), which can deliver 2kW, demonstrated awesome dynamic range.

Ion-ization

Amphion's Anssi Hyvönen was happy to demo his tiny Ions ($1350/pair). The diminutive two-ways sport a 1" titanium tweeter and a 4.5" midrange/woofer, and weigh an easy to lift 10.5 pounds. They sound pretty darn big, though. I enjoyed them in a system with a T+A 1535 surround sound receiver and T+A SADV 1245 R DVD player, finding them spacious and three-dimensional. Then HeadRoom's Tyll Hertsens walked into the room and asked, "How do they sound as desktop speakers?"

Jamo's Sexy Dipoles

Walking through the Las Vegas Convention Center, Jon Iverson, Stephen Mejias, and I were stopped in our tracks by a set of sleek, colorful, sexy loudspeakers, Jamo's new dipole Reference R909s ($14,999/pair). I was struck by how nicely Jamo has covered the backs of the speakers with a handsome grille-cloth shroud, only to have Chris Otte tell me that "of course, very few customers will want to cover them up." I'm not so sure—I suspect most folks can do without the sight of the two woofers' nether regions.

Joachim Gerhard Returns With Sonics

Sonics is the name of a new line of speakers designed by Joachim Gerhard, the founder of Audio Physic, and imported by Allen Perkins (Immedia), formerly the US importer of Audio Physic. The top-of-the-line is the PassionS, a tall, striking-looking speaker that consists of angled modules, with each driver having its own enclosure. The price is $32,000. Allen obviously loves its sound!

John Curl's At It Again

High-end amplifier guru John Curl, well-known for his early designs at Mark Levinson Audio Systems and for the Vendetta">http://www.stereophile.com/phonopreamps/640/">Vendetta phono preamplifier—some regard this as the finest head amp ever made— was at the Alexis Park to discuss his latest design for Parasound, the JC-2 preamplifier. [The price of the JC-2 has not been determined yet, but will be somewhere in the vicinity of $3200.] John was particularly pleased to point out that he had worked with the same circuit-board designer from the Vendetta days. He also pointed out the preamp’s "D-core" power transformer, which has an oval core at right angles to the winding. John believes that this is much quieter than a conventional toroidal transformer. However, he had persuaded Parasound to omit a phono stage because even the D-core transformer wasn't quiet enough for him. That brought up an obvious question—would he reintroduce the Vendetta? Although nothing was definite, he noted, "I'll probably have to do something because everyone is bugging me to bring it back."

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