CES 2006

Toward the end of the final day in Las Vegas, I found Kalman Rubinson entranced by the sound of Shirley Horn singing and playing piano in the Audio Research room at T.H.E. Show. A pair of the new Mk.2 version of the Wilson">http://www.stereophile.com/loudspeakerreviews/619/">Wilson Sophia speakers was being driven by ARC's Reference 210 monoblocks, a Reference 3 line stage, the Minnesota company's new Ref CD7 player, with cables from Shunyata and Cardas and AC conditioning by Richard Gray. I was equally entranced.

Toward the end of the final day in Las Vegas, I found Kalman Rubinson entranced by the sound of Shirley Horn singing and playing piano in the Audio Research room at T.H.E. Show. A pair of the new Mk.2 version of the Wilson">http://www.stereophile.com/loudspeakerreviews/619/">Wilson Sophia speakers was being driven by ARC's Reference 210 monoblocks, a Reference 3 line stage, the Minnesota company's new Ref CD7 player, with cables from Shunyata and Cardas and AC conditioning by Richard Gray. I was equally entranced.

I've always said that cables might be the most important component in a system—after all, without 'em, you don't get much sound out of the whole schmear. Avega">http://www.avegasystems.com">Avega Systems is doing its best to make a liar out of me with its Oyster wireless loudspeaker.

John Atkinson was speechless. Not merely speechless, but incoherent as well as inarticulate.

Balanced Audio Technology's Geoffrey Poor proudly showed off BAT's new Solid-state preamp, the VK42SE ($5995). Those ominous looking black cans are brand new state-of-the-art oil-filled capacitors, which will sport a different livery in the production model, by the way. The 42SE features BAT's power supply bypass, dual mono, zero feedback circuitry and it sounds "more tubelike than some of our tubed designs," Poor proclaimed. "It's like a VK42 on steroids! It has more air, more liquidity, and more testicular fortitude. I don't know why we don't have it in the system."

Dieter Burmester, president of Berlin-based Burmester Electronics, beamed as we listened to Madeleine Peyroux's Billy-Holiday-like rendition of "Dance
Me to the End of Love" (CD, Careless Love, Rounder, 1161-3192-2) being played over his new full-range loudspeaker, the B-100. I felt that it was the most holographic, three-dimensional reproduction of this song (a personal favorite of both mine and Dieter B.'s) that I have yet heard. Although the price has not been announced, the B-100 is taller and 40kg heavier than its predecessor, the B-99http://www.stereophile.com/floorloudspeakers/601/">B-99; and should exceed, by a proportional amount, that speaker's $49k/pair price. The B-100 features a new double-ribbon tweeter/horn arrangement that I feel accounts at least in part for the new speaker's jaw-dropping transparency and effortless highs.

Cayin's American distributor Sze Leung had three new units on display at the Acoustic Sounds booth: the Phono One ("under $2000"), a tube driven phono section, Citation Sound 1 ($3500) full-function preamplifier (phono section included), and the HA-1 ($700) tubed headphone amp/integrated amp (3Wpc). Jackson Mar and Anna Gao of Cayin's parent company, Zhuhai Spark Electronic Equipment Co., Ltd., came over for CES and couldn't resist grinning when the price of the HA-1 caused bystanders to whistle in admiration.