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From the current issue, Wes Phillips and John Atkinson tell the story of Against">http://www.stereophile.com//features/714/">Against the Dying of the Light: the Second Cantus CD. Phillips sets out to find the true genesis of this astonishing new recording from the Minnesota-based male-voice choir, while JA fills in the technical details.
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Paul Bolin reviews the EgglestonWorks">http://www.stereophile.com//loudspeakerreviews/719/">EgglestonWorks Andra II loudspeaker, noting, "It's always tough to follow an award-winning act." Bolin listens carefully to determine if "the lofty ambitions of the Andra II project" have made significant and meaningful improvements to the original design.
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John Atkinson and Stephen Mejias tally the writer and editor votes to present "The">http://www.stereophile.com//features/724/">The 2002 Products of the Year." As JA comments, "For more than a decade now, Stereophile has recognized components that have proved capable of giving musical pleasure beyond the formal review period."
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Sam Tellig and Kalman Rubinson each take a run at the unique PS">http://www.stereophile.com//amplificationreviews/729/">PS Audio HCA-2 power amplifier to see what it's made of. Will Tellig and Rubinson agree on the HCA-2's worth? Furthermore, what do the odd results of John Atkinson's measurements mean?
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Larry Greenhill wonders, "In crossing over into transistor products, would Conrad-Johnson be able to retain the simplicity, low distortion, and musicality of their tube designs?" LG fires up the Conrad-Johnson">http://www.stereophile.com//amplificationreviews/734/">Conrad-Johnson Premier 18LS line preamplifier to satisfy his curiosity.
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Sam Tellig triggered a hailstorm of comment with his original review of the RadioShack">http://www.stereophile.com//digitalsourcereviews/480/">RadioShack Optimus CD-3400 portable CD player. After Tellig suggested that the modest player just might be a cheapskate audiophile delight, writers Corey Greenberg, Jack English, John Atkinson, Barry Willis, and Robert Harley each added his two cents. Some revealing but hitherto unpublished measurements are also included.
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From 1989 and 1992, John Atkinson reviews the Celestion">http://www.stereophile.com//loudspeakerreviews/744/">Celestion SL600si loudspeaker and the DLP600 digital equalizer. "Given that conventional equalizers are quite correctly regarded in Audioland as being poor-sounding pieces of cheap, amusical junk," JA asks, "what I am doing reviewing what, for want of a better word, is an equalizer?"
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Robert Deutsch tackles the Balanced">http://www.stereophile.com//amplificationreviews/749/">Balanced Audio Technology VK-40 preamplifier, noting "Few topics will get audiophiles into an argument more readily than a discussion of the relative merits of tubed and solid-state equipment."
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With the February issue hitting newstands, it's time once again to honor those twirling discs that also made our heads spin, with "2002">http://www.stereophile.com//records2die4/754/">2002 Records To Die For." Stereophile's staff and writers all check in with their eclectic batches of musical heaven.
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Three reviews from January: First, Art Dudley gives us his take on the Final">http://www.stereophile.com//amplificationreviews/759/">Final Laboratory Music-4 phono preamplifier, Music-5 line preamplifier, and Music-6 power amplifier. Art writes, "Modern hi-fi is little more than a way of getting electricity to pretend that it's music."