Historical

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John Atkinson  |  Mar 03, 2009  |  First Published: Jun 03, 1990  |  0 comments
1950: "The ultimate in disc recording is to make the reproduced sound as near as possible to the original..." (The founder of Audio magazine, C.G. McProud, in "Recording Characteristics," Audio Engineering, January 1950, reprinted in The 2nd Audio Anthology, p.67, Radio Magazines, 1954.)
Larry Archibald  |  Oct 12, 2009  |  0 comments
"What about coming over for a little bit of din-din?"
John Atkinson  |  May 11, 2020  |  29 comments
At the end of April, Adrian Low, the proprietor of Toronto retailer Audio Excellence, asked if he could interview me. "I've been interviewing audio luminaries for some time," Adrian wrote, "partly because I am so interested in how they started, their experiences, and also to share these with fellow audio enthusiasts."

We connected with Skype and, in the two videos embedded below, Adrian and I, along with Jan and Vilip from Audio Excellence, talk about many things connected with my 52 years as an audiophile, my 43 years in audio magazine publishing, and my 33 years at the editorial helm of Stereophile.

Steve Harris  |  Jul 14, 2009  |  0 comments
Editor's Note: John Crabbe was Editor of Hi-Fi News & Record Review when I joined that magazine as a lowly editorial assistant in September 1976. At the end of 2007, I had asked Steve Harris to interview John for Stereophile, as part of an ongoing project to create an oral history of high-end audio (footnote 1). Sadly, John passed away in December 2008—see "As We See It" and "Industry Update," in our March issue. We are publishing Steve's interview as a tribute to a man from whom I learned my craft as an audio magazine editor.—John Atkinson
Laura LoVecchio  |  Jun 12, 2005  |  0 comments
On Friday morning, March 25, 2005, my friend Maura Rieland, Stereophile's show coordinator through the second half of the 1990s, e-mailed me to say that she had just learned of the passing of Ken Nelson.
J. Gordon Holt  |  Mar 05, 2006  |  First Published: Jun 05, 1975  |  0 comments
Editor's Note: Although this product has been available for several years, it is being reviewed in considerable detail because it is a strong contender for the title of "Best Available Loudspeaker System, Regardless of Cost," and because we plan to review some of the other contenders for the same title within the next few issues. We feel that since all of these systems represent a considerable outlay of money, prospective buyers should have a thorough understanding of the merits and demerits of each system, so they will know what to expect from them in the way of performyince capabilities and operational requirements.
John Atkinson  |  Feb 06, 2020  |  First Published: Apr 01, 1986  |  9 comments
The only one who knows this ounce of words is just a token
Is he who has a tongue to tell, but must remain unspoken.
—Moondog, 1968

The Lockheed 1011 sits dormant on the ground at Chicago's O'Hare airport. "We have a little light bulb problem here" drawls the pilot in the approved Right Stuff manner. "We don't know if it's the bulb or what, we'll let you know."

J. Gordon Holt  |  May 28, 2015  |  First Published: Aug 01, 1976  |  3 comments
Editor's Note: In Stereophile's second decade of publication, things were starting to unravel, with long gaps between each issue. There were just seven issues published between January 1974 and January 1978. The late Harry Pearson has gone on record that he founded The Absolute Sound in 1973 part because he was tired of waiting for the next issue of Stereophile to reach his mailbox. In this "As We See It" essay from the "Surface Noise" issue in August 1976, founder J. Gordon Holt owns up to it appearing 8 months late!
Art Dudley  |  Aug 03, 2012  |  12 comments
This month I am writing about five vintage loudspeakers you should hear before you die.

Why vintage? Because the best vintage gear offers an abundance of musically agreeable qualities that are missing from even the best contemporary gear.

Art Dudley  |  May 24, 2010  |  0 comments
Nineteen days after J. Gordon Holt died, my daughter and I drove west on NY Route 20, passing lawn sale after lawn sale on our way to the supermarket in Richfield Springs. Each sale promised a pleasant waste of time on that hot afternoon, but only one caught my eye: There, among the Avon bottles and the 8-track tape cartridges, were two large bookshelf loudspeakers, dressed in walnut veneer and light-colored fabric grilles. AR 3s, I thought. Or maybe Large Advents. "They'll still be there when we come back this way," I said, stupidly.
John Atkinson  |  Dec 05, 2017  |  First Published: Nov 01, 1980  |  22 comments
The problem confronting the magazine reviewer when organising the necessary listening tests to accompany/reinforce the measured behavior of a device under test is complex. There has never been a problem with the measurement aspect; as long as someone has access to the same test gear—and full knowledge of the test conditions—then he should be able to replicate the critic's findings exactly (assuming an infinitely narrow spread of behaviour from sample to sample—a rasher assumption with some manufacturers' equipment than of others). However, when it comes to determining reliably the audible (or inaudible?) effects on music program by an amplifier/cartridge/loudspeaker etc. then the going gets tough.
Anthony H. Cordesman, Martin Colloms  |  Apr 29, 1995  |  First Published: Jun 29, 1986  |  0 comments
I must confess to a certain sentimental affection for Magnepan products. An early version of the Tympani did more to rekindle my interest in audio than any other speaker I can think of. In a world which seemed doomed to finding out just how small and dull it could make acoustic suspension boxes, the Magnepans reminded me that speakers could produce a large open soundstage, real dynamics, and musical life.
Larry Archibald  |  Jul 05, 2009  |  First Published: Dec 05, 1992  |  0 comments
Some time ago I wrote about the need for high-end audio companies to constantly reinvent themselves: You may be receiving accolades for your latest and greatest product, but you'd also better be well along the path to developing its replacement. High-end audio is a field of constant change; no product remains supreme for long.
John Atkinson, Various  |  Nov 25, 1995  |  First Published: Nov 25, 1986  |  0 comments
The quest for a full-range electrostatic loudspeaker has occupied many engineers' minds for many years. The problems are manifold: large physical size (which can lead to room placement problems and poor dispersion), the difficulty of achieving high sound pressure levels, the need for a potentially sound-degrading step-up transformer, and the unsuitability for production-line manufacture. Even so, the potential rewards are so great that one can understand why loudspeaker designers keep on attempting the apparently impossible. Epoch-making models do appear at infrequent intervals, keeping the flame burning since the appearance of the original Quad in 1955: Acoustat, Sound Lab, and Beveridge in the US, Stax in Japan, Audiostatic in Holland, Quad, of course, in England, and now MartinLogan.
J. Gordon Holt  |  May 13, 2015  |  First Published: Mar 01, 1986  |  0 comments
Meridian's MCD CD player was perhaps the first audiophile-quality player to be introduced in the high-end market. I met with Bob Stuart of Meridian at the Winter Consumer Electronics Show in Las Vegas, in January, 1986 (footnote 1). My first question was about the name of the company he runs with industrial designer Alan Boothroyd:

J. Gordon Holt: Meridian in England is called Boothroyd Stuart, right?

Bob Stuart: Yes, the company is called Boothroyd Stuart, Limited, and the trademark is Meridian.

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