Think Pieces

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Joan Manes  |  Jun 29, 1995  |  0 comments
"I never touch the stuff," I say, totally disassociating myself from my husband's addiction. "Well," I admit, when pushed, "I do use it sometimes---but I never do the hard stuff."
Larry Archibald  |  Jun 11, 1992  |  0 comments
It's useful to ponder the wonders of democracy in this election year—not because of elections, but despite them. Were you to judge democracy by this election year, you might conclude that it consists of judging who has the best PR people, who the best pollsters, and who can muster the nastiest, most effective "negatives" about the other guy.
George Reisch  |  Aug 28, 2005  |  First Published: Nov 01, 1998  |  0 comments
For all its excesses, high-quality audio is filled with purists. Some are committed to single-ended amplifiers, some to all-analog circuitry, to crossoverless speakers, or to recordings made with only two microphones. Purists seek simplicity in their quest for good sound. But how simple is it to scrub contacts, adjust tonearms, or meticulously clean discs before nearly every listening session? Maybe committed purists should just be committed.
J. Gordon Holt  |  Aug 07, 2008  |  First Published: Aug 01, 1964  |  0 comments
Editor's Note from 1992: This seminal J. Gordon Holt essay on how the art of recording natural sound became compromised in favor of unmusical artificiality for good commercial reasons was originally published in August 1964, in Vol.1 No.8. Though most people these days listen to classical music from CDs, not LPs, in the intervening decades, recording technology has not changed for the better as much as one might have hoped. Nevertheless, the days of wretched multimiking excess described by Gordon are past, and it's rare to find the music treated with the lack of respect typical of a mid-'60s Columbia session. Although some of the smaller companies—Reference Recordings, Delos, Chesky, Mapleshade, Dorian, and Sheffield Lab in the US; Meridian, Nimbus, and Hyperion in the UK—consistently use honest, minimal miking, it is not unknown for the majors in the '90s to do likewise. And the use of time delay for spot microphones, pioneered by Denon in the mid-'80s, means that instruments that might tend to become obscured at orchestral climaxes can now be brought up in level without unnaturally time-smearing the sound. I still find it sad, however, that it is rare to hear the sheer dynamic range of a live ensemble successfully captured on a commercial recording.John Atkinson
John Atkinson  |  Nov 19, 2013  |  First Published: Oct 01, 2005  |  85 comments
When I became Stereophile's editor in 1986, the median age of the magazine's readership was the same age as I was then, 38; ie, half the readers were younger than 38, half older. According to our most recent reader survey, the median reader age is now 48, meaning that in the intervening 19 years, that median reader has aged at half the rate of the rest of us. A nice trick. But older that reader certainly has become, which has led to cries of doom from some quarters of the audio industry.
Robert Deutsch  |  Sep 24, 1992  |  1 comments
"Equipment Reports," "Record Reviews," "Letters," "Industry Update," "Sam's Space," "As We See It," "The Final Word"---I read and enjoy them all. But the section of Stereophile I especially look forward to reading is "Manufacturers' Comments." How is the manufacturer going to respond to a review that's considerably less than 100% positive? Can they take criticism gracefully, or do they have an attitude? If I were a consumer considering purchase of one of their products, would their comments convince me that they'd be a good company to deal with? Are they uptight beyond reason, or do they have a sense of humor? Can they respond to a positive review without gloating?
John Atkinson  |  Jul 16, 2013  |  First Published: Aug 01, 2005  |  2 comments
"It's not just it doesn't work as well, it doesn't sound as good!"

Veteran audio reviewer Martin Colloms and I were taking a preprandial walk across London's Hampstead Heath, following Cream's reunion concerts at the Royal Albert Hall last May. Martin was getting animated:

"And don't ask about the whiskers!"

Of course, I had to ask about the whiskers.

George Reisch  |  Nov 15, 1996  |  0 comments
Nature and Nature's laws lay hid in night; God said, Let Newton be! And all was light. —Alexander Pope
Barry Willis  |  Nov 24, 1996  |  0 comments
Remember the old mathematical riddle about moving a football from a hundred yards out to the goal line? Known as Xeno's Paradox, it goes like this: if each time the ball is moved it travels half the distance to the goal, how many moves will it take to get there? The answer: an infinite number, because no matter how many times you cut the distance to the goal by half, you'll always be some infinitesimal distance away from it.
Barry Willis  |  Jun 22, 1996  |  0 comments
Some folks claim to have actually seen the legendary Bigfoot, the enormous, manlike beast said to roam the backwoods of the Pacific Northwest. Others have stood in his footprints or plucked foul-smelling patches of hair from trees he has recently passed. A few have gotten close enough to take vague snapshots or shaky video clips of the beleaguered creature. One or two attest to frightful chance encounters with him. His size alone has given rise to rumors that he is dangerous, but no firm evidence has ever been produced to substantiate this.
John Atkinson  |  Apr 23, 2013  |  7 comments
John Atkinson at the 2012 Rocky Mountain Audio Fest

Since I gave this presentation at the Rocky Mountain Audio Fest in October 2012, based on one of the topics in my Richard C. Heyser Memorial Lecture and mentioned in my March 2013 "As We See It," I have repeated it at Music Matters evenings at Definitive Audio in Seattle and Listen-Up in Denver, and at audiophile society meetings in Minneapolis, California's Central Coast, and Connecticut. I will be repeating the presentation at a Music Matters event at Georgia retailer Audio Alternative, Wednesday April 24, at 6pm, at T.H.E. Show Newport Beach, at 12 noon, May 31, and at The Audiophile Society in Brooklyn, NY on June 22.

Evelyn & Neil Sinclair  |  Mar 01, 1986  |  0 comments
In his April 16, 2001 website essay "Where's Our Freedom of Audio Choice?" reader Jim Tavegia railed against the ubiquitous policy of manufacturers only allowing their products to be available through selected retailers. "If I'm willing to pay the UPS costs, it should be my prerogative to buy equipment anywhere I please," he wrote. This echoes a controversy that appeared in the print magazine 15 years ago. The affair started with some innocent-looking text written by Audio Cheapskate Sam Tellig in the December 1985 Stereophile (Vol.8 No.8):
Bob Katz  |  Dec 22, 2014  |  25 comments
In the 2014 November issue, my good friend Steve Guttenberg ("Communication Breakdown") got his facts mostly right: It's true that most listeners (including myself) accept far more distortion today than we did years ago. Many people have never heard a great stereo system—all they've heard are overdriven boom boxes, cheap stereos, and portable systems, and that's what they expect systems and music to sound like. And distortion is part of the sonic language of such musical genres as hip-hop, rap, and alternative rock.
Steve Guttenberg, J. Gordon Holt  |  Jan 03, 1996  |  0 comments
"Without content, television is nothing more than lights in a box."
---Edward R. Murrow.
Art Dudley  |  Aug 27, 2006  |  0 comments
"Happy is he who gets to know the reasons for things." —Virgil

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