Producer: John Atkinson
Engineer, analog editor: Tony Faulkner
DSD editing: Finesplice
LP mastering engineer: Stan Ricker
SACD booklet and LP sleeve design: Michaelson Rock
Microphones: Two Neumann M50c omnis on a 27" AEA stereo bar (main pickup), with an AKG C24 crossed figure-8 (clarinet spot) and three Schoeps CMC65ug cardioids (wind spots)
Mike preamps: EAR 824M
Mixing console: Tim de Paravicini custom design
Cables: Mogami (mikes to preamps), Belden 11-way "snake" (preamps to console), van den Hul carbon-fiber (console to…
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Inside, the compact, low-profile chassis packs a modest-looking, toroidal, steel-band-shielded transformer. This is rated at 400VA, but to a high-regulation Krell specification. (If this were not the case, that 300W into 4 ohm specification would be well out of reach.) Considerable thought has been given to protection, which in this design is by fuses (the bigger Krells use electronic protection operating via power relays). Gross short-circuit and speaker-fault protection is provided by 12A fuses at the output; these are located beneath the output terminals and user-accessible…
Description: Solid-state, remote-controlled, stereo integrated amplifier with five line-level inputs including one tape loop. Power output: 150Wpc into 8 ohms (21.8dBW), 300Wpc into 4 ohms (21.8dBW). THD: <0.06%, midband, rising to 0.3% at 20kHz. Input impedance: 210k ohms. Input overload: 9V RMS. Maximum voltage gain: 36.1dB. Input sensitivity: 55mV unbalanced, 28mV balanced, for full power, volume control maximum. Output impedance: 0.16 ohms. Power consumption at idle/standby: 50W.
Dimensions: 19" W by 15.5" D by 3.7" H.
Serial number of unit reviewed…
Several good-quality integrated amplifiers were on hand for comparison at the time of this test. These ranged from the inexpensive Exposure XX to the Musical Fidelity A1000, and included the new, expensive Ensemble Evocco. Reference power amplifiers included the recently discontinued Krell KSA-200s, a Naim NAP250, an Audio Research VT150SE and a Conrad-Johnson MV55. Source components included the Krell KPS-20i/l and KPS-30i CD players, while comparison preamps included an Audio Research LS22 and a C-J PV12. Cables were Siltech, van den Hul, and Transparent. Loudspeakers…
In line with Krell's design practice of recent years the KAV-300i is a low-feedback design, which means that we shouldn't expect extravagant results for damping factor or its more practical equivalent, output impedance. Nor is exceptionally low distortion likely. Nevertheless, Krell amplifiers aim to deliver clean, neutral power to a range of loudspeaker loads and while this base-level design isn't rated for 1 or 2 ohm duty, it does crack the whip powerfully into 4 and 8 ohm loadings.
Noting that my test sample was a European model with a nominal 230V,…
A Question of Style…
Description: Remote-controlled CD player with outboard power supply and 128x oversampling D/A conversion using 24-bit delta-sigma DACs (Crystal Logic CS4390). Outputs (fixed level): one pair single-ended (RCA) analog, one digital (BNC) S/PDIF. Maximum analog output voltage: 2.4V. Analog output impedance: <100 ohms. S/N ratio: 115dB.
Dimensions: Player: 17" (430mm) W by 5.5" (140mm) H by 14.5" (470mm) D. Power supply: 9" (230mm) W by 3.75" (95mm) H by 11.25" (290mm) D. Weight: 39 lbs (17.1kg) net, 69 lbs (31kg) shipping.
Serial numbers of units reviewed…