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Harmonic Resolution Systems (HRS) unveiled its new, significantly less expensive EXR-1921-4V audio stand ($7795) at AXPONA. (I'd originally seen this stand at Definitive Audio's private Music Matters event in Seattle.) Put to good use in the Ultra Fidelis Room, it joined HRS's SXR-1921-5V audio stand ($11,550/frame), M3X2-1921 isolation base ($3995), R3X-1921 isolation base ($1975), and Vortex V150 isolation feet ($1630/set) to support a system that included Vandersteen M5HPA High Pass Amplifiers ($16,800/pair) and Kento Carbon loudspeakers ($41,700/pair), an AMG Viella Forte turntable ($22,…
William Duncan (right), who lives relatively close to me in Sammamish, WA, has been after me for a while to hear Laufer Teknik Product's new offerings. Finally, the opportunity arrived at AXPONA. Sharing the room with John Siau of Benchmark Audio (left), Duncan and Laufer Teknik Products showed The Note ($32,500/pair), a line array speaker designed by Mark Porzilli of Melos vacuum-tube electronics fame. The price includes a SB 3000 subwoofer ($1010 each).
Laufer Teknik claims that the speaker has 360° dispersion up to 10kHz and 180° dispersion above that—when I walked around the…
Electrocompaniet of Norway, too long absent from this writer's high-end radar, celebrated its 50th anniversary by showing the new AW 800M Nemo 2 800w monoblocks ($45,000/pair), EC 4.8 MKII reference preamp ($4900), EMC 1 MKV Reference CD player ($6800), ECM 1 MKII Media Center (a media player & streamer with DAC and preamp output, $5700), and ECP 2 MK II MM/MC phono amp ($2900). To celebrate the occasion, Lasse Danielsen, Sales and Marketing Director Electrocompaniet (left in photo) and Bjorn Kindingstad, company CEO (right), journeyed to AXPONA.
To quote an email I received from…
When I first heard JMF Audio components from France at AXPONA 2022, I had no idea that, paired with the right speakers, they would produce heavenly sound. But in the room jointly sponsored by Fidelis Distribution, who handles Harbeth loudspeakers, and Audio Skies, which distributes JMF Audio and Ideon Audio, the mating of JMF with Harbeth delivered some of the finest-sounding music I heard at AXPONA 2023.
First up, "Fragile" from Nils Landgren & Rigmor Gustafsson sounded gorgeous, warm, and smooth. Midrange could not have been more pleasing on Bebe's "Animales hambrientos" and John…
Longtime readers of Stereophile may recall my 2019 rave review of the diminutive low-cost Transparent One Encore active loudspeaker ($599). The reason I ended up reviewing a bargain component that retailed for well under four figures—one that measured quite well, I might add—was not because Stereophile's former editor, John Atkinson, assigned the product to me. Rather, after being blown away by Vanatoo's sound at an audio show, I asked to do the review.
Now, Seattle-based Gary Gesellchen (above) is preparing to release that speaker's successor, the Vanatoo Transparent One Encore Plus ($…
One unusual thing in the large Legacy space at AXPONA was the placement of two pairs of beautiful-looking speakers: Legacy's V system and the Aeris. They stood in a straight line angled about 30° away from one of the long walls, albeit parallel to a curtain that the Legacy team had placed there. The grouping of equipment was also quite far over to the left of the room, instead of near the center of the wall.
Did it sound unbalanced and disjointed? Not on your life. President and founder Bill Dudleston, a pioneer in room correction, knew the setup would work thanks to his Legacy Wavelet,…
I probably spent much of my time at AXPONA with a severe case of resting bitch face, as I'm usually concentrating hard. There's a lot to cover, and a thousand facts to get straight. But during system auditions, I occasionally smiled too, sometimes unintentionally making eye contact with exhibitors who were excited to see that I was excited.
That's what happened in the Linkwitz room, where CEO Frank Brenner and noted Linkwitz evangelist Charles Port were demoing the company's LX521.4 open-baffle speakers.
Is it a new product? Yes and no. The version 4 is slightly different from…
Colorado's Ayre Acoustics jammed a big system into a small room at APXONA, wall-to-wall attendees barely leaving space for Ayre's president, designer, and Chief Ayre-Head Ariel Brown to press the flesh and discuss the gear.
Ariel brought Ayre's CX-8 CD player ($5450), Aurender N30SA Reference Network Transport ($25,000), and Ayre QX-5 Twenty "digital hub" ($15,000), connected to Ayre's KX-R Twenty Reference Series line preamplifier ($40,000), into Ayre MX-R Twenty Reference Series monoblock amplifiers (300Wpc into 8 ohms, 600Wpc into 4 ohms, $48,000/pair).
Loudspeakers…
Masimo must have been the biggest, most valuable company at AXPONA by far. Its market valuation is slightly north of 10 billion dollars. The NASDAQ-listed firm had more than two billion in revenues last year. And yet it's a safe bet that most expo-goers who saw the Masimo name on one of the demo rooms thought, "Who?"
Well, see if you recognize these names: Bowers & Wilkins, Marantz, Polk, Definitive Technology, Classé, Denon, HEOS, and Boston Acoustics. Those eight brands are owned and managed by the formerly independent Sound United. Masimo plunked down a cool one billion dollars for…
Room 352 at AXPONA, where cable constructors Shunyata Research and speaker builders Clarisys had joined forces, was something of a feast for the senses. The Clarisys Minuet speakers ($38,800/pair) look like high-tech heaters in a 1940s film noir, and I mean that in the best possible way—I love how they seem simultaneously retro and thoroughly modern. They sounded wonderful too.
The Swiss company has been around since 2011, initially building replacement parts for the legendary Apogee speakers. (Apogee went out of business in 2000 after a memorable 19-year run.) The Clarisys crew…