Between tree trimming, over imbibing and driving my wife to the brink of full blown mental illness with the up down, jet engine-…
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Dave Grohl deserves respect if for no other reason that he’s gone from playing drums in Nirvana (i.e. staying with Kurt and Krist) to playing guitar and being the singer and loquacious front man of The Foo Fighters. That last quality however, being a tawker, combined with his burning need to be in the spotlight (is there a musical event he’s not a part of?), also makes Grohl nauseating at times. Clearly, the concept of overexposure never enters his mind.
Here, once again, are my picks for the year's best jazz albums:
Best New Releases:
1. Sonny Rollins, Road Shows, Vol. 3 (Okeh).
2. Keith Jarrett & Charlie Haden, Last Dance (ECM).
3. Kenny Barron & Dave Holland, The Art of Conversation (Impulse!).
4. Ambrose Akinmusire, The Imagined Savior Is Far Easier to Paint (Blue Note).
5. Fred Hersch, Floating (Palmetto).
6. Sylvie Courvoisier Trio, Double Windsor (Tzadik).
7. The Bad Plus, The Rite of Spring (Okeh).
8. Matt Wilson Quartet + John Medeski, Gathering Call (Palmetto).
9. Frank Kimbrough…
Art Pepper: Darn That Dream
Art Pepper, alto sax; Joe Farrell, tenor sax; George Cables, piano; John Dentz, drums; Tony Dumas, acoustic bass.
M&K RealTime Digital RT-309 (LP). Ken Kreisel and John Dentz, prods., Ken Kreisel and Scott Simon, engs. Recorded at The Annex Studio, Hollywood, CA, March 23, 1982. 37:36.
Art Pepper, alto sax; Joe Farrell, tenor sax; George Cables, piano; John Dentz, drums; Tony Dumas, acoustic bass.
M&K RealTime Digital RT-309 (LP). Ken Kreisel and John Dentz, prods., Ken Kreisel and Scott Simon, engs. Recorded at The Annex Studio, Hollywood, CA, March 23, 1982. 37:36.
Earl Wild: Works for Piano
Cesar Franck: Prelude, Chorale and Fugue; Gabriel Fauré: Barcarolle No.3 in G Flat, Op.42. Maurice Ravel: Gaspard de la Nuit.
Earl Wild, piano.
Audiofon Stereo 207 (LP). Julian H. Kreeger, prod., Peter McGrath, eng.
Darn…
1947: General Electric introduces a variable-reluctance phono cartridge with a 0.3mil sapphire stylus and 11mV output.
1948: Brook Electronics Inc. (Elizabeth, New Jersey) introduces the 12A audio amplifier and 12A3 preamplifier, beginning the era of high-fidelity audio separates.
Since hi-fi's postwar beginnings, hundreds of high-quality audio inventions for the home have thrilled and satisfied music lovers worldwide. But inevitably, no more than a few score companies, and maybe a dozen or so engineer-designers, have defined audio's most creative and enduring achievements.…
Ever since I reviewed PrimaLuna's ProLogue Premium, for the June 2012 issue, it has been the model I would turn to when I wanted a moderately priced integrated amplifier to try with a new speaker. It never disappointed me, and never seemed outclassed, even when the speaker was the MartinLogan Montis ($10,000/pair). At $2399, the ProLogue Premium to me represents the "sweet spot" for systems in the range of $4000–$10,000 or higher. Although its 35Wpc may not be enough for some speakers (depending on the room and personal preference), I never had any such problem, regardless of whether the…
To more systematically examine the sound of the DiaLogue Premium HP, I compared it and the ProLogue at matched levels: <0.1dB difference, measured with a voltmeter at the output terminals, using the 1kHz tone of Stereophile's first Test CD (Stereophile STPH002-2). Both amps had EL34 tubes installed, and the DiaLogue Premium HP was set to ultralinear, to match the ProLogue Premium.
Some audiophiles hold that at higher power you may gain maximum volume but lose some finesse, and that as long as the amplifier is not driven into clipping, the fewer the tubes, the better the sound.…
Sidebar 1: Specifications
Description: Tubed, remote-controlled, stereo integrated amplifier. Tube complement: six 12AU7, eight EL34; KT88 or KT120 tubes also available. Inputs: 5 pairs RCA, 1 pair home-theater bypass. Outputs: 4 & 8 ohms. Subwoofer output: RCA. Headphone output: ¼" stereo jack. Rated output power into 8 ohms, 1% THD: triode mode, 40Wpc (EL34, 16dBW), 42Wpc (KT88, 16.23dBW), 45Wpc (KT120, 16.53dBW); ultralinear mode, 70Wpc (EL34, 18.45dBW), 73Wpc (KT88, 18.63dBW), 85Wpc (KT120, 19.3dBW). Frequency response, ±1dB: 7Hz–65kHz (EL34), 7Hz–70kHz (KT88), 7Hz–75kHz (KT120…
Sidebar 2: Associated Equipment
Digital Source: Ayre Acoustics CX-7eMP CD player.
Preamplifier: Convergent Audio Technology SL-1 Renaissance.
Power Amplifier: McIntosh Labs MC275LE.
Integrated Amplifier: PrimaLuna ProLogue Premium.
Loudspeakers: Focal Aria 936.
Headphones: Grado SR125.
Cables: Interconnect, speaker, AC: Nordost Valhalla 2.
Accessories: PS Audio PerfectWave Power Plant 5, Nordost Sort Kone TC, Furutech RD-2 CD demagnetizer.—Robert Deutsch
Sidebar 3: Measurements
My review sample of the PrimaLuna DiaLogue Premium HP (a different one than that auditioned by Robert Deutsch) was fitted with EL34 output tubes—I made sure that the bias was correctly set for these tubes before performing any testing. After allowing the DiaLogue Premium HP to warm up for an hour or so, I used my Audio Precision SYS2722 system (see the January 2008 "As We See It" and www.ap.com) to examine its measured performance. With 4 and 8 ohm output-transformer taps and the choice of triode (green LED illuminated) or ultralinear (red LED) operation, the…
When I think of Cambridge Audio today, it sits firmly in the category of Value with a capital V. After spending the past decade figuring out how to balance price with performance, to give budding audiophiles entry points to better sound, in 2012 they began pushing the upper end of their value envelope with the Azur 851 series of products, of which the Azur 851D upsampling DAC and digital preamplifier ($1649) is the latest model.
I've enjoyed having one of Cambridge's integrated amps in my office system for years, and the company boasts that the 851 series, designed in the UK and…