Once you see the system list—Tidal Audio Akira speaker ($215,000), Presencio Reference preamplifier ($77,900), Impulse monoblock amplifiers ($64,900/pair…
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As owner Sam Wisniewski explained to me, the name Destination Audio refers to the point of sound he had always been searching for. After many years of experimenting, he finally created Destination Audio's eponymous three-way, fully horn-loaded speakers ($95,000/pair). And, as implied by his company's name, these are the only speakers he will ever create and sell, because he's…
Billed as the "Ultimate…
Of the amp, which was shown in passive display, Pass Labs' Desmond Harrington said, "We needed a smaller, lighter, and less expensive amplifier. A single human being can pick it up, and it can fit on a shelf. It's actually a little…
Mmm-mmm, Good
Most of the recordings I'd requested from 2L were hi-rez DXD files (24/352.8)—the MQA versions downloaded in a fraction of the time it took to download the unprocessed originals. The batch of 10 original files (5.96GB) was more than six times larger than…
MQA Limited, Latham Road, Huntingdon, Cambridgeshire PE29 6YE, England, UK. Tel: (44) (0)1480-445678. Fax: (44) (0)1480-445686. Web: www.mqa.co.uk.
Mytek HiFi, 148 India Street, First Floor, Brooklyn, NY 11222. Tel: (347) 384-2687. Web: www.mytekdigital.com.
TRONDHEIM SOLOISTS: Reflections
Britten: Variations on a Theme of Frank Bridge. Stravinsky: Apollon Musagète. Vaughan Williams: Fantasia on a Theme by Thomas Tallis.
Trondheim Soloists; Øyvind Gimse, artistic dir.; Geir Inge Lotsberg, guest leader
2L 2L-125-SABD (SACD/CD+BD). 2016. Morten Lindberg, prod., eng. DDD. TT: 70:16
This recording was nominated for a Grammy for Best Surround Recording. The winner is more than fine (you can look it up), but we wuz robbed! Perhaps the Trondheim Soloists' 2L recordings are now quantities too…
The Alexx shares with the Alexandria XLF Wilson's Aspherical Group Delay technology, whereby the positions of its…
That visceral but tuneful, well-controlled bass was ideally damped: sounding neither too tight nor mechanical nor in any way "porty." I'll be interested to compare John Atkinson's measurements of the Alexx's in-room frequency response with those…