As I write these words, I haven't yet read Art Dudley's complete review (elsewhere in this issue) of the new Croft integrated amplifier. I do know, however, that Art liked it a lot and that it performed very poorly on John Atkinson's test bench. It's not the first time we've experienced such a discrepancy, and it won't be the last. In this case, though, the results diverged so thoroughly that JA asked for a second opinion. Perhaps because I happened to be in his direct line of vision, JA offered the assignment to…
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Stephen Mejias also wrote about the Croft Phono Integrated in October 2013
Sidebar 1: Specifications
Description: Two-channel hybrid integrated amplifier with 3 line inputs and one moving-magnet phono input. Tube complement: three ECC83 (12AX7). Maximum output power: 45Wpc into 8 ohms (16.5dBW), 50Wpc into 4 ohms (14dBW). Frequency response: 0.15Hz–150kHz, –1dB. Line input sensitivity: 250mV. Line input impedance: 100k ohms. Phono input sensitivity: 1.5mV. Phono input impedance: 47k ohms.
Dimensions: 16" (410mm) W by 3" (80mm) H by 10" (255mm) D. Weight: 11 lbs (5kg).
Serial number of unit reviewed: 11124.
Price: $1895. Approximate number of dealers…
Sidebar 2: AD's Associated Equipment
Analog Sources: Garrard 301, Thorens TD 124 turntables; EMT 997, Ikeda IT-407 tonearms; EMT OFD 25 & TSD 15 70th Anniversary pickup head; Denon DL103, Miyajima Premium BE mono, phono cartridges.
Digital Sources: AudioQuest DragonFly, Meridian Explorer, Wavelength Proton USB D/A converters; Apple iMac G5 computer running Apple iTunes v.11.0, Decibel v.1.2.11 playback software; Sony SCD-777ES SACD/CD player.
Preamplification: Silvercore One-to-Ten, Auditorium 23 Standard (SPU version), Hommage T2 step-up transformers; Sutherland Insight…
Sidebar 3: Measurements
I measured the Croft Phono Integrated using Stereophile's loan sample of the top-of-the-line Audio Precision SYS2722 system (see the January 2008 "As We See It" and www.ap.com). Before performing any measurements on an amplifier, I run it for an hour with both channels driven at 1/3 its rated power into 8 ohms; this is the level at which the maximum amount of power is dissipated in the output devices with a class-A/B topology. At the end of the first 30 minutes running at 1/3 the specified 45Wpc into 8 ohms, the top panel over the Phono Integrated's output stage…
Photo by Karl Edwin Scullin.
Released back in May, Jenny Hval's Innocence is Kinky, endures as one of my favorite records of 2013. I've played it countless times, and, in a few days, when Hval takes the stage at NYC's Mercury Lounge, I'll finally have the chance to see and hear the songs performed live.
It's happening on a Tuesday night. And it's the late show. And I'm old. But I'm still going. So, you know that I consider this one important. (Wednesday is going to be rough.)
Maybe I'll see you there. For now, we can also enjoy Hval's quiet, lovely cover of Paul Simon's…
In the last 15 minutes, about 25 people have sent me a link to this article, so now I'll share it with you. For better or worse, whether we're discussing velour suits or Compact Discs, any discussion regarding death is most likely premature. I call for a death to the discussion of death.
Yet, here we go again, this time discussing "the death of the home stereo system." CNN reporter Todd Leopold paints it as the classic struggle between quality and convenience, and seems to think that convenience has finally delivered the knock-out punch.
Nothing Leopold says is necessarily wrong…
Roy Bird's UK-based Chester Group, which currently produces the New York Audio Show, has announced the acquisition of Montreal's Salon Son et Image. While the show will continue to take place in Montreal's Hilton Bonaventure in late March—March 28–30 in 2014—Sarah Tremblay, former co-producer of Montreal show with her husband, Michel Plante, will join the Chester Group team and assume overall management of both North American shows.
In addition, to avoid 2013's industry-taxing situation of the Montreal, Chicago, and New York shows taking place with only two or three weeks between each,…
Whether the subject is hi-fi equipment, films, restaurants, power tools, or condoms (see the April 2005 "Listening"), reviewing should be off-limits to the perennially unhappy. I'm reminded of that dictum by the flap over the recent film Identity Thief, which was savaged by reviewer Rex Reed—not because the film is weak, but because its star, Melissa McCarthy, is heavy. Reed, whose career as the Paul Lynde of film reviewing was punctuated by a starring role in a flop called Myra Breckenridge, mentioned in his review McCarthy's size not once but numerous times, thus exposing himself as a…
Reaction
Audio reviewing has gone through its share of unpleasant phases. The most notorious was, ironically, its boom era, when an unquestioning adherence to specsmanship—executed without contemplation, written without passion, and fixated on frequency response to a degree nearly suggestive of mental illness—succeeded in actually destroying all but the high-end segment of this hobby. Yet for me, an even rougher patch was that period of time in the early to mid-1980s, when high-end reviewing "stars" hitched their critical wagons to the pet theories of one or two designers, by which…
Audio reviewing has gone through its share of unpleasant phases. The most notorious was, ironically, its boom era, when an unquestioning adherence to specsmanship—executed without contemplation, written without passion, and fixated on frequency response to a degree nearly suggestive of mental illness—succeeded in actually destroying all but the high-end segment of this hobby. Yet for me, an even rougher patch was that period of time in the early to mid-1980s, when high-end reviewing "stars" hitched their critical wagons to the pet theories of one or two designers, by which…
Sidebar: List of the Month
The Top Nine Stupid Audiophile Tricks My attitude toward the Strangest Tweaks on Earth has long been motivated by a simple axiom: As long as insane amounts of money aren't involved, then surely there's no harm in trying. Yet even I have to admit that some efforts at improving sound are so patently dumb, so titanically ignorant of the way things actually work, that they wound the very concept of human intelligence: That's where the goddam harm is. Thus my list of the Top Nine Stupid Audiophile Tricks, in no particular order of imbecility:
1) Removing all…