Apparently Kimber Kable has had problems with knock-off unauthorized competition, so Gould points out how they are able to braid the eight strands together for both conductors in a single loom and then split them off in a special weave right up to the connectors (as seen in the photo), which the counter-fit…

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The award however is for the volume control design, "where you select a particular transformer tap with one of the volume controls…
The amp section puts out 125 watts per channel into 8 ohms, 250 into 4 ohms, and the preamp section is controlled by an iOS or Android remote app. "We have a two option slots for a phono section or DAC. We're also working on a new DAC that would slide in with DSD, streaming and AirPlay," explains Jayson. The additional slide-in boards will be…
"Arnie designed half of the 5.3, but this is the first of the series that is entirely my design," adds Koh. "A lot of customers have been coming back saying they want a little more this, a little more that. So I've gone back to the four woofers of the original Genesis V. Even though…
First, for the entry level, is the new Sundara planar headphone which will retail for $499. Josselin Marvie from HiFiMan explains that "We spent some time designing this headphone to be more reliable and comfortable, so we have a new headband design which is more lightweight as well. We also have new cups, and everything has been redesigned to make the headphone last longer."
Inside is also a new diaphragm that is 80% thinner than the older versions, "which results in a wider frequency…
The first upgrade in the 2 series is the new "BilletDone" tweeter design. St. James says "this tweeter combines the best of both worlds of the rigid metal tweeter with a soft…
Jon Iverson already blogged about this room, which featured the Revelation Series Pictor preamplifier and Taurus Stereo power amplifier driving Magico S3 Mk.2 loudspeakers, with the Roon Ready Cygnus Media player as a source, but I felt I had to note the sound in this room. Cabling was all-MIT, with MIT…
The question, "What if they Gave a CES and Nobody Came?," which headlined my As We See It from mid-2016, was echoed by a similar title on Jon Iverson's opening blog for our coverage of CES 2018. Yet hopes and fears that our industry's increasingly limited presence in the Venetian would sound the death knell for "high performance audio" at CES do not reflect the experience of those who this year chose to either exhibit or wander hallways and eateries in search of dealers and distributors.
Yes, there were only two big suites on the 35th floor, and smaller…
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