Other amplifiers reviewed in this issue come from Anthem, Border Patrol, and Bricasti, Mikey Fremer lives with the Bergmann Galder turntable and Odin tonearm, while our review team offers second…
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Because anyone who cares about the terrible costs of war, and the suffering it engenders, must hear the pain,…
When Jason Victor Serinus reviewed LG's MQA-capable V30 smartphone in our May issue, he was mightily impressed. "LG's implementation of its Hi-Fi Quad DAC is a work of genius," he wrote, concluding that "If ever there were a device that could bring the experience of high-end sound to millions of music lovers, the hi-rez V30 with MQA is it. It's more than a game-changer." JVS added that the V30's combination of audiophile sound quality and smartphone portability "may prove unbeatable." However, our publishing schedule didn't include…
Steve Tibbetts, 12-string guitar, piano; Michelle Kinney, cello, drones; Marc Anderson, percussion, handpan
ECM 2599 (CD). 2018. An ECM production; Steve Tibbetts, eng.; Greg Reierson, eng., mastering. DDD. TT: 50:40
Performance *****
Sonics *****
The sound of Steve Tibbetts's guitar music is unique—one need hear only a measure or two of his new album to identify the distinct tang of his playing. Common wisdom is that a guitarist's sound is in the hands and fingers, but Tibbetts has another trick: his weathered, 50-year-old Martin D12-20 12-string…
It's not surprising that many people, like me, love nice cameras and good stereo gear. In my worse moments, I attribute this to mere consumerism: We love expensive stuff and the thrill of buying something new, whether for reproducing music or creating visual images. In my better moments, it's clear to me that there's more than that to this common taste for audio and photography, and more to the hobby of so-called perfectionist audio.
One commonality: we like well-made machines. There's beauty in finely wrought devices,…
My friend wondered if I wanted to review the AkitikA amp (the name is a palindrome, based on a kit).…
I wrote the above paragraph only minutes after making the swap. Now, as I type this paragraph, I'm listening to "The Transritualistic Object Reveals Itself," from percussionists David Philipson and Mark…
Description: Class-AB stereo power amplifier with LM3886 power-amplifier integrated circuit, regulated power supply with 10,000µF capacitance. Inputs: 1 pair single-ended (RCA). Outputs: 2 five-way speaker binding posts. Power output: 50Wpc into 8 ohms, nearly 100Wpc into 4 ohms. Frequency response: 5Hz–100kHz, –3dB. Input impedance: 51k ohms. Sensitivity: 1V RMS produces 20.59V RMS output. Slew rate (typical): 14V/µs. Damping factor at 1kHz ref. 8 ohms: >80. Signal/noise: typically 136dB below 50W into 8 ohms, A-weighted.
Dimensions: 15" (380mm) W by 4.5…
Analog Sources: AMG Giro G9, Linn Sondek LP12 Valhalla turntables; SME M2-9 tonearm; AMG Teatro, EMT TSD 75, Koetsu Rosewood Standard cartridges.
Digital Sources: Mac mini computer running Audirvana 3.2; Border Patrol, Mytek HiFi Manhattan II, Schiit Audio Yggdrasil Analogue 2 DACs; Integra DPS-7.2 DVD player used as CD transport.
Preamplification: Auditorium 23, Bob's Devices CineMag 1131, Dynavector SUP-200, My Sonic Lab Stage 1030 MC step-up transformers; Lounge Audio LCR Mk.III RIAA, Tavish Design Adagio phono preamplifiers; Linear Tube Audio…
I measured the AkitikA GT-102 using my Audio Precision SYS2722 system (see the January 2008 "As We See It"). Before I test an amplifier, I precondition it with both channels driving a 1kHz tone at one-third power into 8 ohms for an hour. However, I ended the preconditioning of the AkitikA after 20 minutes, as the left side of its top panel, above the internal heatsinks, was hot, at 130.2°F (54.6°C), and the bottom panel was too hot to touch, at 169°F (76.6°C). The AkitikA doesn't have sufficient heatsinking for sustained operation at this worst-case power level…