Description: Three-way, vented box loudspeaker. Drive-units: 1" (25mm) decoupled carbon-dome tweeter, 6" (150mm) woven Continuum- cone, FST midrange unit, three 6.5" (165mm) Aerofoil Profile woofers. Crossover frequencies: 350Hz (third-order HP/LP), 4kHz (second-order LP, first-order HP). Frequency range: 28Hz–33kHz, –6dB. Frequency response: 45Hz–28kHz, ±3dB on reference axis. Sensitivity: 90dB/2.83V/m. Harmonic distortion (second and third harmonics, 90dB, 1m): <1%, 86Hz–28kHz; <0.5%, 110Hz–20kHz. Impedance: 8 ohms nominal, 3.1 ohms minimum. Recommended…

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Digital Sources: Oppo Digital BDP-105 universal BD player; Baetis Prodigy X PC-based music server running JRiver Media Center 23; exaSound e38, Mytek HiFi Brooklyn DACs; QNAP TVS-873 NAS.
Preamplifiers: Audio Research MP1, Parasound Halo P 7, SPL SMC 7.1.
Power Amplifiers: Classé Sigma Mono (monoblocks), Parasound Halo A 31 (three-channel).
Loudspeakers: .
Cables: Digital: AudioQuest Carbon (USB). Interconnect: AudioQuest Earth/DBS balanced, Kubala-Sosna Fascination balanced (subwoofer) & Anticipation (RCA), VoVox Sonorus Muco (XLR to…
I used DRA Labs' MLSSA system and a calibrated DPA 4006 microphone to measure 7the Bowers & Wilkins 702 S2's frequency response in the farfield, and an Earthworks QTC-40 for the nearfield responses. My estimate of the B&W's sensitivity was a high 90.2dB(B)/2.83V/m, confirming the specified 90dB. The 702 S2's nominal impedance is specified as 8 ohms, with a minimum value of 3.1 ohms. My measurement of the impedance magnitude (fig.1, solid trace) reveals that while the impedance does lie at and above 8 ohms in the low treble and in two regions in the bass,…
Description: Remote-controlled, network-connected D/A integrated amplifier. Standard: Analog inputs: 2 pairs RCA (line), 1 pair RCA (phono). Digital input: USB Type B. Analog outputs: 1 pair unbalanced (RCA), 1¼" stereo headphone jack, 4 pairs speaker binding posts. Digital outputs: 1 TosLink, 1 coaxial S/PDIF. Optional modules included on review sample: MDC DD S/PDIF provides AES/EBU, 2 TosLink, 2 coaxial S/PDIF; MDC DD-BluOS provides Bluetooth, Ethernet, 2 USB Type A. Supported file formats: MP3, AAC, WMA, OGG, WMA-L, FLAC, ALAC, WAV, AIFF, MQA. Supported…
Digital Sources: NAD Masters Series M50.2, Roon Nucleus+ digital players; Mac mini laptop running Roon 1.3, iPad mini running Roon, Bluesound apps; Meridian 518 format converter; Ayre Acoustics C-5xeMP disc player.
Integrated Amplifier: Luxman L-509X.
Power Amplifiers: Lamm M1.2 Reference monoblocks.
Loudspeakers: KEF LS50, Rogers LS3/5a, Sonus Faber Guarneri Tradition, TAD ME1, GoldenEar Technology Triton Reference, Wilson Audio Specialties Alexia 2.
Cables: Digital: AudioQuest Coffee (USB) & Vodka (Ethernet), Canare (15', AES/EBU), DH…
I measured the Masters Series M32 DirectDigital using my Audio Precision SYS2722 system (see the January 2008 "As We See It"). Usually, before I test an amplifier, I precondition it with both channels driving a 1kHz tone at one-third power into 8 ohms for an hour. This thermally stresses an amplifier with a conventional class-AB output stage, but as the NAD is a class-D design, this wasn't appropriate. Even so, before doing any testing I ran it for an hour at a moderate power level, to ensure that it was fully warmed up. Because class-D amplifiers emit relatively…
On Saturday April 14, I followed Jason Victor Serinus around AXPONA with my video camera while he played recordings from MA and John Atkinson.
We first visited a room hosted by retailer Precision Audio featuring MartinLogan Renaissance ESL 15A loudspeakers ($24,995/pair), a Continuum Audio Labs Obsidian turntable ($35,000) with Viper tonearm ($10,000), Constellation Audio Taurus monoblock power amplifiers ($39,000/pair), a Constellation Andromeda phono stage ($18,000), a Constellation Pictor…
Since Sony also lists HDTracks as a source for its catalog, I presume that it, too, would have been listed as a streaming site had its long-anticipated streaming service actually launched in…