"Hello. This is the Suzanne at the Cable Company in New Hope. How can I direct your call?" How many years have I heard that familiar voice, over and over? At last, like a very thirsty pilgrim happening upon an oasis in the desert, CAS 2012 presented my first opportunity to hug the real Suzanne Cleary.
Together with Ethan Wood, Suzanne was working The Cable Company's very active display from show sunrise (a merciful 11am) to show sunset (6pm Friday and Saturday, 4pm Sunday). Lots of time was spent on the Audiodisk Systeme Vinyl Cleaner ($3895 after the show special) that Michael Fremer…
Can it get better than the mbl and Magico/VAC/Audio Research/Auraliti etc. etc. rooms? Skipping until Saturday the Wilson Alexandria/VTL/etc. room, which took an enormous amount of self-control, believe me, I headed to the large suite shared by Cookie Marenco's Blue Coast Records/OTR Studios and Sony. Blue Coast Records was preparing for their 2pm panel, "DSD: Join the Cutting Edge." Pictured, left to right, are Dr. Andrew Demery, Super Audio Center DSD consultant; Marenco; and Sugiara. (Andres Koch of Playback Designs, also on the panel, arrived too late for inclusion in the photo.)
In…
The good news is that the smaller rooms on the lobby level of the Burlingame Crowne Plaza were not plagued with the same treble truncation that sabotaged the larger exhibits. Hence Alon Wolf of Magico had a lot to smile about. Shown here with his two handsome sons, Yonathon (18) and Yuval (14), he paused in the hallway outside the Constellation/Magico room, which showcased Constellation's Virgo preamplifier ($19,000) and Centaur power amplifier ($24,000); Auraliti's L1000 Media Server ($4000) and prototype DAC; Magico's small, classy-looking Q1 2-way monitor loudspeakers ($26,500/pair…
I beg your indulgence. CAS 2012 gave Northern Californians their first opportunity to hear Wilson Audio's imposing Alexandria XLF loudspeaker ($199,500/pair). The latest and grandest statement of Dave Wilson's engineering acumen—he designed the crossover and supervised the voicing, for starters—the 97dB-sensitive Alexandria XLF powered by the 600W VTL Siegfried Series II Reference monoblocks ($65,000/pair), together with the not-really-necessary but it sure makes its mark in such a large room Wilson Audio Thor's Hammer subwoofer ($21,500) and a front end whose cutting-edge technology and…
You can interpret the title of this blog in many ways. Speaking personally as a Bay Area resident, it means coming into the home stretch of the California Audio Show knowing that there are a host of dealers, distributors, and manufacturers in Northern California who are in love with music and dedicated to high quality music reproduction. It also means, in the literal sense, that CAS 3 included a number of systems that got to the heart of music reproduction.
One of those was Bob Hodas' room. Shown in part with recording, mixing, and mastering engineer Piper Payne, who also works with the…
In a sense, I understand why Thelonious Monk's albums on Columbia, recorded between 1962 and 1968, have been neglected. His earlier sessions, on Blue Note, Prestige, and Riverside, were the ones where he introduced his classic songs, developed his eccentric style, and played with star-studded rhythm sections. The six quartet albums for Columbia feature a total of just six new Monk songs. And they find him playing with a working band of accompanists—no John Coltrane, Coleman Hawkins, Johnny Griffin, Art Blakey, or Roy Haynes here.
Yet the Columbias—Monk's Dream, Criss-Cross, It's Monk's…
It was another flawlessly beautiful spring morning, and I was in Bay Ridge, Brooklyn, to help John Atkinson pack up the Lansche Audio 5.1 loudspeakers ($41,000/pair). John had only just completed his listening and bench tests (see his review in the July issue), and was not ready to let go of the lovely Lansches—but the speakers would be picked up by a trucking company that afternoon and sent to our cover photographer, Eric Swanson, in Santa Fe, New Mexico. Each Lansche measures 40.9" tall by 10.1" W by 19.3" D and weighs 167.5 lbs—packing them and securing them to a shipping pallet is…
The SM 45 has a 1" aluminum-dome tweeter and a 5.25" mid/woofer, the latter utilizing DefTech's patented Balanced Double Surround System (BDSS), in which the driver's cone is supported at both its inner and outer edges, for longer excursion. The large, unusual-looking knob at the center of the mid/woofer is DefTech's new Linear Response Waveguide. This is designed to create wide dispersion and a smooth frequency response off axis, so that you don't have to be strapped into a narrow "sweet spot" to enjoy good sound—great for listening (and dance) parties.
I was also immediately impressed…
Sidebar Contacts
Definitive Technology: 11433 Cronridge Drive, Suite K, Owings Mills, MD 21117-2294. Tel: (410) 363-7148. Fax: (410) 363-9998. Web: www.definitivetech.com
Timbre Sound, LLC, dba Thinksound, 350 Route 108, Suite 204, Somersworth, NH 03878. Web: www.thinksound.com
Don't waste yourself in rejection, nor bark against the bad, but chant the beauty of the good.—Ralph Waldo Emerson
The Fantasy Symphony Season competition, announced in this column in February, has been a smashing success—as far as I'm concerned, it's the most worthwhile write-in competition yet. The 13 winning entries and one hors-concours laureate are posted in the follow-up to February's column on Stereophile's website. The update lists the compositions in each winning Fantasy Symphony Season entry. I created a spreadsheet to determine the most popular composers and works in the…