I am grateful to Richard Lane, Tom Fine, Bob Ludwig, and Dale Manquen for educating me about a fascinating footnote in the history of sound recording: 3M's Dynatrack tape machines of the 1960s.
Dynatrack was an ambitious, pre-Dolby noise-reduction scheme that recorded two tracks for each channel: an NAB-standard track, and a "boosted" track with fixed high-frequency pre-emphasis to overcome tape hiss. Therefore, a stereo recorder required four tracks, while a four-channel recorder required eight tracks.
The clever feature of Dynatrack was…