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Resolving to get an early start, I skipped breakfast and hit the show floor at 10:30am on Sunday. Will Kline of Fine Sounds (left) and Sunil Merchant (right) of Covina, CA's Sunny's Components were justifiably proud of the simply beautiful midrange created by the marriage of Wilson Audio Alexia loudspeakers ($52,000/pair) and Audio Research components. This wasn't the most transparent of systems I auditioned, but it was unquestionably among the most musical. Hats off to Will for playing Francis Cabrel's "La Corrida," one of the many superb selections on Philip O'Hanlon's coveted Demo Disc…
One of the most delightful annual surprises of the now departed Las Vegas installment of THE Show was stumbling upon the NFS (Not For Sale) room. Assembled by the distinguished personage known as Buddha, it allowed visitors to become submerged in a combination of post-psychedelic revelry, good sound, lots of free booze, and a total absence of hawking.
With their laudable spirit undiminished by the passage of time, Michael Alazard (left) and Anton Dotson (Buddha) traveled all the way from Las Vegas to continue holding forth in mind-bending splendor. Was this the true funhouse within the…
As readers of this space know, I'm a huge admirer of Maria Schneider's music, but her latest, The Thompson Fields (on the ArtistShare label), breaks through to a new level. It's her most ambitious recording, and her most accomplished; it places her in the pantheon of big-band composer-leaders, just below Ellington, Strayhorn, and Gil Evans at his very best; it's a masterpiece.
Schneider started out as Evans' assistant, as well as a student of Bob Brookmeyer's, and, especially in her first decade as a bandleader, their influences—those lush, stacked harmonies—were clear. Over time, her…
The business of high-end audio can fascinate me almost as much as does high-end audio itself. Designers and entrepreneurs such as Frank McIntosh, Avery Fisher, Saul Marantz, Edgar Villchur (AR), David Hafler (Dynaco), and Henry Kloss (AR, KLH, Advent, Advent Video, Cambridge Soundworks, Tivoli Audio) combined technical brilliance and varying levels of business skill with flairs for publicity and marketing. Many of their products became objects of desire, and some became household names in the post-WWII era. Of that list, only McIntosh and Marantz are still in business as high-end audio…
A product listed in Class A of Stereophile's "Recommended Components" has the "[b]est attainable sound for a component of its kind, almost without practical considerations." Channel Islands Audio's E200S amplifier is not quite that good, but its sound quality puts it well above the line that separates Class C from Class B: "the next best thing to the very best sound reproduction." The E200S also deserves our "$$$" mark of distinction, for a product that performs "much better than might be expected from its price."
Well done, and recommended for audition if your power needs stretch up…
"I don't know what I think on that one. I haven't written about it yet."—Walter Lippmann (attributed)
As sometimes happens, this started out to be a very different column. But by the time I was a thousand words into it, I found that my point of view had changed.
A number of months ago, I received from a Canadian company called BIS Audio a review sample of their Expression interconnect: a shielded, unbalanced interconnect terminated with Eichmann BulletPlugs (RCA). Priced at $480 Canadian per 1m pair, the Expression falls squarely in the middle of BIS's interconnect line: a lowish…
Sidebar: Contacts
Channel Islands Audio, 567 W. Channel Islands Boulevard, PMB #300, Port Hueneme, CA 93041. Tel: (805) 984-8282. Web: www.ciaudio.com.
Luxman Corporation, 1-3-1 Shinyokohama Kouhoku Ku, Yokohama, Japan. Web: www.luxman.co.jp. US distributor: On a Higher Note, PO Box 698, San Juan Capistrano, CA 92765. Tel: (949) 488-3004. Fax: (949) 612-0201. Web: www.onahighernote.com.
Accept only one product because you can judge with accuracy only one system variable at a time, and because you are not a publicist but a journalist, and because a reviewer should not allow her or his home to be used as a storage facility for expensive, high-markup accessories that will, within a year or two, be replaced by second-generation versions of same (footnote 2).
Step 3: Before installing the new cable or interconnect, play a few selections on your music system as is, paying attention both to the way the system sounds and to the success with which it does or does not…
For decades, I read all the British and American audio magazines, and I pretty much believed everything written therein—with one exception. The equipment reviews published in Stereo Review had an off-puttingly disingenuous quality. I learned a lot from the magazine's reviews of recordings and loudspeakers, but every time senior editor Julian Hirsch wrote that any amp with sufficiently high power, low measured distortion, and high damping factor would sound the same as any other with similar qualifications, I felt estranged from my favorite hobby. Stereo Review's arrogance came off as…
Because I've been reviewing mostly class-D amplifiers and the Hegel is a more traditional class-A/B bipolar type, I was curious about any potential audible differences. All of those digital amps have driven low-impedance speakers with gratifying authority, but I've harbored suspicions about their capabilities into speakers of higher impedance—such as my 15-ohm Falcon and Rogers LS3/5As and 10-ohm DeVore Fidelity Orangutan O/93s. Sometimes, the class-D amps have sounded somewhat flat or slightly gray into these high-impedance loads. But now, after several weeks of listening with the Hegel, I…