The Waterfall is all that and yet it’s not. Well beyond becoming a moving target, MMJ have now solidly framed a house called singular. Here the Louisville band that started out as southern indie rockers, have gone all left coast sweeping and melodic which is appropriate for an album recorded in the Panoramic House above Stinson Beach in Marin County, an environment…

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Trevor Wong and Stacey Sniderman (right to left in the photo), owners of Update TV & Stereo Elevated (which I will just refer to as Update), have two more stores in the Greater Toronto Area, but these are more oriented toward home theater, whereas the Unionville store, while not slighting video and home theater, has a strong emphasis…
The Paul Winter Consort: Paul Winter, soprano sax, E-flat contrabass sarrusophone, conch shell; Nancy Rumbel, oboe, English horn, C contrabass sarrusophone, double ocarina; Eugene Friesen, cello; Jim Scott, classical and 12-string guitars; Ted Moore, timpani, surdos, berimbau, caixixi, pao de chuva, ganza, gongs, cymbals, triangles, handbells, whistles; Paul Halley, pipe organ, harpsichord, piano.
Recorded with the 3M Digital System in the Cathedral of St. John the Divine, New York City. Paul Winter, prod., Dixon Van Winkle, Chris Brown, engs. Additional…
J. Gordon Holt: Meridian in England is called Boothroyd Stuart, right?
Bob Stuart: Yes, the company is called Boothroyd Stuart, Limited, and the trademark is Meridian.
Holt: What is your function at Meridian? Sales, engineering, design, or what…
Stuart: In the MCD there are separate regulated supplies for the servo, the digital, and the audio sections, but they share a common transformer and grounding system. In the Pro, the supplies for the servo and the D/A and audio section are completely separate. And we isolate the audio section from the RF section, which reduces the level of spurious ultrasonic material by at least 18dB.
Holt: You mean, much of that ultrasonic garbage was the result of electrical interference from the digital circuitry into the analog…
A highlight of my reviewing year so far has been my experience of the PonoPlayer. When I reviewed this $399, high-resolution portable media player for the April 2015 issue, I was mightily impressed with what I heard and what I measured. But as I later wrote, in the May issue, I realized that I had not said enough in that review about the compelling nature of music played through the Pono. During a long airline flight, my attention kept being drawn to the music in a way that rarely happens with my iPod Classic…
Editor: Hello to all Stereophile readers. I'd like to personally thank John Atkinson and the Stereophile crew for your appreciation of the PonoPlayer and what it delivers.
I first realized that Pono had to happen when it became clear to me that we had lost the connection with music with the dominance of MP3, downloading, and streaming. The goal for Pono was simple: bring the music back, for all of us. Realizing it, making it happen, was a bit more tricky.
As the community around Pono has grown—it currently approaches 43,000 people—we have learned…
Editor: We have been working on the Analog Module concept for the past 2½ years. We expected a good deal of controversy over this new product line, especially in the early stages of its introduction (and we got it). In response to your review:
Analog Module Security: The methods we are employing are for our protectior against unscrupulous individuals. This is not a game of "hide and seek." Theft of another manufacturer's proprietary concepts is both illegal and immoral. We are encouraged to see that recently the courts are taking a harder line against this…