Michael Chung, who owns Silbatone, co hosted the room alongside former Sound Practices editor Joe Roberts. Together they walked visitors through the system's technology. Silbatone designers J.C. Morrison and Stefano Bae were also present.
Center stage stood an enormous 1935 era Western Electric field coil…
The sharp‑looking new TD 404 DD turntable ($4950, all prices approximate if converted from Euros) features a resonance‑damped platter, the direct‑drive motor from the TD 124 DD, an electronic tonearm lift, integrated stroboscope with pitch control, three height‑adjustable spring‑loaded feet, gold‑plated RCA outputs, balanced XLR connectors, and is compatible with the optional TPN 124 linear power supply.
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IsoAcoustics founder and CEO Dave Morrison, along with his son Sean, were on hand to answer questions and demo the new technology. Their Munich demo system…
"These brands have staying power," Wexler noted in a conversation after the event. "Nagra equipment is woven into our culture, having played a large role in music and film. DeVore has been around for a very long time as well. The speakers they design don't frequently change. When John designs a speaker and he says it sounds good, it sounds good, and then it sells for more than 13 years without any…
Attention all Audiophile Societies, have your society or club information posted here. To do so, e-mail Chris Vogel at vgl@cfl.rr.com and request an info-pack.
Chris Vogel suggests that if there is no Audio Society in your area, just take the initiative: "A simple monthly or bi-monthly meeting for listening and auditioning should do just fine. You can specify a theme such as CD players and have members bring one for auditioning. E-mail is invaluable for posting, updating, and sending reminders. Some type of food, snack, and/or refreshment is…
December 8, 2006
• Chinese Whispers Are Now Shouts, by Ken Kessler
• Tower Records R.I.P., by Wes Phillips
November 7, 2006
• New from Nagra, by Ken Kessler
• You Shall Knows Us By Our Trail of Unfiled Discs, by Wes Phillips
• This Month's Audio URL, from Wes Phillips
October 10, 2006
• Compared to What? by Wes Phillips
• Acoustic Energy WiFi Internet Radio, by Wes Phillips
• Soundmatters FULLstage Hd, by Wes Phillips
• Audica MPS-1 Personal Audio System, by Wes Phillips…
I decided to measure the 107 before doing any serious listening (something I usually do not do) so I could sort out the KUBE options and optimize the 107's response for my favorite placement. With the bass cutoff set at 18Hz (the setting I used for my auditioning), the 107 puts out energy down to 20Hz, which is as low as I can measure. In fact, bass output is so extended that the 107 can readily overload a listening room. Standing-wave resonances were excited in my room like never before, including an especially nasty one at 60Hz. The contour control cannot…
Dick Olsher first reviewed the R107 in Stereophile in Vol.9 No.7, and readers should read that review for a complete description. Briefly, bass is handled by two 10" pulp cone woofers mounted in small infinite-baffle enclosures within the R107's main box. The chassis of these drivers are coupled by a bracing bar to reduce the mutual vibration contribution to the enclosure. Their acoustic outputs are summed in a central chamber with the filtered "bandpass" energy emerging from the large port/grille on the enclosure top…