Oh, the sound!
When the time finally came to write this section—the part of the review that, if you're like me, you may have eagerly jumped to after the introduction—I looked at my notes and was a bit aghast. How was it possible that after weeks of listening in both the UK and at home, I only had two pages of notes?
Only once before had I experienced something like this. In 2024, shortly before the start of High End Munich, I sat in row 6 of Vienna's acoustically fabled Musikverein as Riccardo Muti conducted the Vienna Philharmonic in the 200th anniversary performance of…