I use a mixture of nearfield, in-room, and quasi-anechoic FFT techniques to investigate possible objective factors that might explain the sound heard. Readers wanting more detail on this regime should read pp.166–167 in the October 1989 issue (Vol.12 No.10).
Fig.1 shows the Control Monitor's response to the rectangular test pulse on the tweeter axis with the grille removed. Both drive-units appear to be connected with the same polarity; ie, they both start moving forward in response to the positive voltage spike. The initial short-risetime pulse is from the…