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In February 1994, when I reviewed the pricey ($12,900 with amplifier) Sennheiser Orpheus headphone system—HE 90 headphones and HEV 90 D/A processor/amplifier—I commented that the company had a similar, but less expensive, alternative available: the HE 60 headphones combined with the HEV 70 amplifier. At the headphone end, the HE 60s aren't so different from the HE 90s furnished with the Orpheus system. Both are extremely lightweight and supremely comfortable—even for long listening sessions (I logged up to four hours without a break on the HE 60s). In fact, the less-expensive HE 60s are…
Sidebar 1: Specifications
Sennheiser HE 60 headphones: Open-back design. Transducer principle: electrostatic, push-pull. Frequency response: 12Hz–65kHz, –10dB; 18Hz–55kHz, –6dB; diffuse-field equalized. THD: <0.1%.
Weight: 0.6lb. (260gm, less cable).
Serial number of unit reviewed: not available.
Price: $1690 with HEV 70 amplifier (1995); no longer available (2020).
Sennheiser HEV 70 amplifier: Frequency response: 10Hz–20kHz ±1dB. S/N ratio: >90dB. THD: <0.01% (1kHz). Maximum output voltage: 400V. Input sensitivity: 250mV. Input impedance: 10k ohms. Bias…
Sidebar 2: Associated Equipment
Both the Sennheiser and the Stax headphones were evaluated over the same system. Their respective amplifiers were driven directly from a Mark Levinson No.35 D/A converter. A Krell KPS-20i CD player was used as a transport, and alternately from its own analog outputs. The digital link, when used, was a Kimber AGDL coax; the analog interconnects were Cardas Hexlink Five Series.—Thomas J. Norton
Stax SRM-727II ($2200)
This is an all solid-state amp with a zero-feedback output stage. From the Stax USA website:
The new SRM-727II employs semiconductor output drive stage and non-feedback (NON-NFB) output stage for the first time ever in a STAX driver unit. A pure balance DC amplifier configuration is used for the large current emitter follower Class A output stage. A significant increase in dynamic range especially in the upper frequency has been achieved. A high level of sound purity is achieved through the simple two-stage amplification circuit with low-noise FET…
Ray Samuels Audio A-10 Thunderbolt ($6500)
Bristling with features, the Thunderbolt is both an electrostatic headphone amp and a pre-amp. This amp is an all-tube design for the audio section with a separate solid-state power supply, and uses matched pairs of 5687 tubes for the headphones, with matched 6SN7s used for the analog outputs of the pre-amp. Two balanced inputs, three unbalanced inputs, and a tape and pre-amp output (both with balanced and unbalanced connections) grace the rear of the main electronics unit, which can rest atop or aside the separate power supply.
At…
Woo Audio WES (starting at $4990)
The Woo WES is the largest amp of the group sporting a quad of EL34 output tubes fed by a quad of 6SL7 driver tubes on the headamp, which can sit atop or aside the matching chassis of the main power supply. Two 12AU7 tubes mounted on the rear of the headphone amp perform phase splitting duties for the single unbalanced input pair. A front panel knob can select between two balanced inputs and the lone single ended feed. The amp I auditioned was the stock amp without any of the upgrades.
I must say the Jack Woo has wooed me towards tuby sounds…
Cavalli Audio Liquid Lightning (~$5000)
The amp reviewed here is the first version of the amp, which is now undergoing a second revision with an expected release in April of 2013. Alex tells me the new amp is largely a cosmetic revision and will be in a machined aluminum case similar to his Liquid Glass amplifier. This is an all solid-state design using MOSFETs as the power output devices. The amp has one each balanced and unbalanced input with a rear panel switch for selection.
The Liquid Lightning was, by far, the most difficult amp to get a grip on. Maybe it was because I…
HeadAmp Blue Hawaii Special Edition ($4980)
Though they don't stack, the headphone amplifier and power supply of the HeadAmp Blue Hawaii sit next to each other with an understated grace that only extremely high-quality builds can pull off. The unit I have here (thanks Stretch!) has silver panels, but a wide variety of custom colors are available. The BHSE is a hybrid amp sporting a quad of EL34 output drive tubes in an OTL DC coupled configuration, fed by a solid-state input section and power supply.
Slowly but surely over the week of listening, the Blue Hawaii became the amp…
Conclusions
A week with some of the world's best headphone gear is merely a taste. I think readers should take my thoughts here as simply one data point in your personal search for sonic Nirvana. There simply wasn't the time during this audition to do anything more than develop some personal preferences; an exhaustive analysis would take months.
If you're beginning to think that a Stax SR-009 headphone is in your future, I think you should spend plenty of time reading the threads regarding these wonderful amps at Head-Fi, and finding ways to hear them in person at meets and…
How Good Are Apple Ear-Buds?
I don't usually spend much time evaluating ear-buds, but I have done a fair bit over the years. The best ear-bud I've ever heard is the Yuin PK1, which simply has astonishing performance for a headphone of this type. But, it's $159 and it's rather inefficient, so you almost need a portable headphone amp to drive it to solid listening levels. The Yuin PK2 ($79), which is more efficient, isn't nearly as good sounding. Sennheiser has been making a full line of ear-buds for a long time in their MX series, and their top-tier 'buds have been a solid…