Not surprisingly, the XLFs ended up within a few inches of where the MAXX 3s had stood—and, also as with the MAXX 3s, when I sat down just under 8' away, the upper woofers were where the tweeters would be in a speaker of more appropriate size for the space. The XLFs' midrange-tweeter…
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Description: Three-way, floorstanding loudspeaker. Drive-units: 1" (25mm) silk-dome tweeter (rear-firing), 1" silk-dome tweeter (front-firing), two 7" (178mm) carbon-fiber/paper-cone midrange units, 13" (330mm) and 15" (381mm) W-sandwich cone woofers. Crossover frequencies: not disclosed. Frequency response (average, in-room): 19.5Hz–33kHz, ±3dB. Sensitivity: 93.5dB/2.83V/m. Nominal impedance: 4 ohms. Minimum amplification: 7Wpc.
Dimensions: 70 1/4" (1784mm) H by 19 13/16" (504mm) W by 27 7/8" (708mm) D. Weight: 655 lbs (297kg).
Finishes: Multiple…
Wilson claims that its Aspherical Group Delay technology is as effective harmonically and texturally as it is spatially, helping to precisely reintegrate, at the listening position, the frequencies that have been separated by the crossover and sent to the various drivers.
To do this, each of the three drivers in the Alexandria XLF's MTM array can be independently adjusted fore and aft, as well as rotated on its polar axis. Of equal importance, once the appropriate position has been found, each module can be rigidly locked in place with tether…
Analog Sources: Continuum Audio Labs Caliburn, Cobra, and Castellon turntable, tonearm, and stand; Graham Engineering Phantom Supreme II, Kuzma 4Point tonearms; Lyra Atlas & Titan i, Miyajima Labs Focus (mono), Ortofon Anna, cartridges.
Digital Sources: MSB Platinum Data CD IV and Diamond DAC IV CD transport and DAC, Platinum Studio ADC; BPT-modified Alesis Masterlink hard-disk recorder; Meridian Digital Media System; Pure Music software.
Phono preamplifier: Ypsilon VPS-100 with MC-10 and MC-16 step-up transformers.
Preamplifier: darTZeel…
I used DRA Labs' MLSSA system and a calibrated DPA 4006 microphone to measure the Wilson Alexandria XLF's frequency response in the farfield, and an Earthworks QTC-40 for the nearfield and spatially averaged room responses.
Performing measurements on such a large, heavy speaker as the Alexandria XLF poses two main problems. The first is practical: shipping the speakers to my test lab was out of the question, so I had to take my test gear to Michael Fremer's house. The second is that the assumption in any farfield acoustic measurement is that the distance…
According to EMI Music:
The 12 Beach Boys studio albums have been digitally remastered by Mark Linett and will be released on CD and digitally, most featuring mono and stereo mixes. The albums are: Surfin’ U.S.A.; Surfer Girl; Little Deuce Coupe; Shut Down, Volume 2; All Summer Long; The Beach Boys Today!; Summer Days (And Summer Nights!!); Beach Boys Party!; Pet Sounds; Smiley Smile; Sunflower (stereo mix only); and Surf’s Up (stereo mix only).
These…
The Ultimate Gift of Music package includes a Sonos Bridge and PLAY:3 system (MSRP $348).
Timothy Brown couldn't look jollier to get this major gift. Brown's acquisition of the PLAY:3 serves as an upgrade to his already existing Sonos system thus expanding the reach of his playback from the bedroom as an alarm clock radio and into the kitchen as a cooking companion. Per Sonos system specs, he now has a PLAY:5! Brown primarily listens to MOG streaming services on his system. Play…
Even…
Available from Parts Express (catalog #300-652), the Dayton B652 is a simple two-way, sealed-cabinet design with a 6.5" polypropylene mid/woofer and a ferrofluid-cooled, 5/8" polycarbonate tweeter. The cabinet is clad in black vinyl and has a removable grille of black cloth. The B652s sounded pretty much the same regardless of whether the grilles were in place, but I preferred their looks with the grilles off, so that's how I listened. Better looks often equal…