Presented on Sunday, February 13, 2011, at Staples Center in Los Angeles, Johnson and Frost's Grammy-honored Reference Recordings' hybrid multi-channel SACD, Britten's Orchestra (RR-120SACD). Performed by the excellent Kansas City Orchestra, conducted by Michael Stern,…
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Last month, Michael Fremer and John Atkinson had their ways with this long-awaited, $10,000 player from Ayre Acoustics, but here I take a different tack. Though I used the DX-5's analog outputs and USB input (primarily with a tweaked Squeezebox Touch), my focus was on its multichannel output via HDMI. Interestingly, the DX-5 has two HDMI outputs: one, HDMI A/V Output, is the same as that on the Oppo Digital BDP-83, on whose DNA the Ayre is based; the other, HDMI Audio Output, is based on Ayre's gene splicing. They…
With its long and cherished history, and its abundance of critical praise and commercial success, Rega's P3 is a turntable worth knowing (footnote 1). The original Planar 3 was ranked 30th on Stereophile's Hot 100 list of most important hi-fi components of all time, and the latest incarnation of this fine and simple design, the P3-24 ($895 with tonearm), sits proudly in Class C of our "Recommended Components"—and, as my long-term reference, in my living room.
In his July 2008 review, Michael Fremer admired the P3-24 for…
SM's System
Integrated Amplifier: Exposure 2010S.
Loudspeakers: DeVore Fidelity Gibbon 3.
Cables: Furutech Evolution.
Accessories: Furutech E-Tp60 Power Distributor, Polycrystal Equipment Rack.
Uncle Omar's System
Analog Source: Rega P1 turntable, RB100 tonearm, Ortofon 2M Red cartridge.
Integrated Amplifier: Cambridge Audio Azur 350A.
Loudspeakers: Totem Acoustic Arro.
Cables: Bare RadioShack wire.—Stephen Mejias
How do Giant-Killer Cables keep their prices reasonable? The company sells direct through their website and claims kinder business…
Toronto-area audio dealer Audio Excellence decided to tackle the problem last year by setting up a booth at the annual National Home Show in Toronto, reportedly with great…
Those familiar with the music of Bonnie “Prince” Billy will have an idea of how this record sounds—as if from some simpler time and heavy with poetry and…
But the second big wave—really a tsunami now—to wash ashore was triggered by the earthquake of computer and Internet audio, which has also shaken apart the music-industry conglomerates as we knew them. Several well-established audiophile brands, and dozens of newcomers, have jumped up on this…
Next I had to contend with setting up the hardware. The Pro has balanced outputs that can also run unbalanced, so I had plenty of options. My plan was to compare the Pro to my reference Benchmark DAC1 USB, which can also run balanced or unbalanced, and send them both through an Integra DTC-9.8 preamplifier-processor (which also sports both balanced and unbalanced inputs/outputs), and via the direct balanced inputs of a Mackie mixing board in my recording studio.
I first noticed that there are no left or right markings on the Pro's outputs. So, facing the…
Here is an example of the error data for a single track, included as a separate log file with an XLD FLAC rip of "Mort d'Eurydice" from Pierre Favre's Fleuve (ECM 1977):
Track 01
Filename: /Users/jiverson/Desktop/01 Pierre Favre Ensemble—Mort d'Eurydice.flac
Pre-gap length: 00:02:00
CRC32 hash: F1FAB02B
CRC32 hash (skip zero): 2B53BAA0
AccurateRip signature: 101378F8
–>Accurately ripped! (confidence 9)
Statistics:
Read error 0
Skipped (treated as error) 0
Edge jitter error (maybe fixed) 0
Atom jitter error…