Editor: I couldn't agree more with John Atkinson's "As We See It" comments in December on CD "over-compression"! Why should all pop CDs sound like they're being played through a radio? I've been mastering for 27 years, and I think we've hit an all-time low.
I can still remember the "level wars" of the late '60s and early '70s, when every producer wanted his record mastered louder than the other guy. But now...every pop CD is "slammed" 'til the little LEDs don't move, from the downbeat to the fade. When you run the D/A outputs through a +4dBm system, you have to…