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(1) We are deluged with ads, and must add extra text pages to maintain a decent ad/text ratio, or
(2) There is too much to report on…
The new C370 was designed to…
The C370 held its own so well that I was inspired to reach for Benjamin Zander and the Philharmonia Orchestra's new multichannel hybrid CD/SACD recording of Mahler's Symphony 5 (Telarc 2SACD-…
Description: Remote-controlled integrated amplifier with seven line-level inputs (including two tape in/record out); preamp out/main in, and a second preamp out with up to 12dB attenuation; NAD Link; Soft Clipping and Bridging switches. Output power: 120Wpc (20.8dBW), continuous average power into 8 ohms, both channels driven. IHF dynamic headroom into 8 ohms: 3dB. IHF dynamic power (8, 4, 2 ohms): 210W, 340W, 450W. Frequency response: 20Hz-20kHz, ±0.3dB. THD: 0.03%. S/N Ratio (A-weighted, ref. 1W): 94dB. Damping factor (ref. 8 ohm 1kHz): >150. Preamp output…
The chassis of the NAD C370 was hot after the usual one-hour preconditioning period at 1/3 power into 8 ohms, but, at around 55 degrees C, well within the bounds of safety. (The internal heatsinks were much hotter, of course, but these cannot be reached by inquisitive fingers.) The amplifier didn't invert signal polarity, and the maximum voltage gain (into 8 ohms) was a high 39.4dB. Input impedance at 1kHz was 300k ohms and the output impedance across most of the audioband a moderate 0.16 ohm, this rising slightly to 0.19 ohm at 20kHz. This is equivalent to a…
Fig.7 NAD C370, spectrum of 50Hz sinewave, DC-1kHz, at 1W into 8 ohms (linear frequency…
The last Genesis design reviewed in Stereophile was the 500 (in May 1999), which then sold for $11,500/pair. Kalman Rubinson…
Description: Four-way, floorstanding loudspeaker with powered woofer section. Drive-units: two 1" (25mm) circular aluminum-ribbon tweeters, 4.5" (115mm) titanium upper-midrange cone, two 6.5" (165mm) aluminum lower-midrange cones ("midbass couplers"), three 8" (200mm) aluminum woofer cones. Inputs: speaker level on 4mm terminals, line-level on balanced XLR, LFE line-level on XLR. Output: LFE pass-through on XLR. Frequency response: 20Hz–36kHz, ±3dB. Crossover frequencies: 71–135Hz, 300Hz, 3.6kHz. Nominal impedance: 4 ohms. Sensitivity: 90dB/2.83V/m. Maximum…
Digital Sources: Ayre C5-xe universal player, Olive Symphony media server; Mark Levinson No.30.6, Benchmark DAC 1, Grace m902 D/A processors.
Preamplifiers: Mark Levinson No.326S, No.32 Reference; NHT Passive Volume Control.
Power Amplifiers: Mark Levinson No.33H monoblocks, Musical Fidelity kW750.
Cables: Digital: Kimber Illuminations Orchid AES/EBU, AudioQuest SVD-4 S/PDIF. Interconnect: AudioQuest Cheetah, Madrigal CZ Gel-1, Ayre Signature Series, Crystalconnect, Canare (balanced); DiMarzio, Canare (unbalanced). Speaker: AudioQuest Kilimanjaro…