Description: Single-box, fixed-output, two-channel SACD/CD player with remote control. Formats played: SACD, CD, CD-R, CD-RW, WMA, MP3 (MPEG-1). Analog outputs: 1 pair RCA (unbalanced). Digital outputs: coaxial S/PDIF, TosLink S/PDIF. Digital inputs: TosLink S/PDIF. Maximum analog output level: 2.4V RMS, SACD/CD. Frequency responses: 2Hz–50kHz, –3dB (SACD); 2Hz–20kHz, –0.015dB (CD). Dynamic ranges: 112dB (SACD), 100dB (CD). Signal/noise, A-rated: 110dB (SACD, CD). THD at 1kHz: 0.0010% (SACD), 0.0015% (CD). Channel separation: not provided. Jitter: not provided.…
search
Sidebar 2: Associated Equipment
Analog Sources: Continuum Audio Labs Caliburn, Cobra, Castellon turntable, tonearm, stand; Graham Engineering Phantom II tonearm; My Sonic Labs Eminent EX, ZYX R1000 Sigma 2 cartridges.
Digital Sources: Playback Designs MPS-5 SACD/CD player–DAC, Camelot Roundtable Anagram Technologies DAC, BPT-modified Alesis Masterlink hard-disk recorder, Sooloos music server.
Preamplification: Manley Audio Steelhead, Einstein Audio Turntable's Choice, Abbingdon Music Research PH-77, Boulder Amplifiers 1008, Vitus Audio MP-P201 phono preamplifiers; darTZeel NHB-18NS…
Sidebar 3: Measurements
To measure the Marantz Reference SA-KI-Pearl, I used the magazine's loaner Audio Precision SYS2722 system. (See www.ap.com and "As We See It" in the January 2008 issue.) For some tests, I also used my Audio Precision System One Dual Domain and the Miller Jitter Analyzer.
Measured with the "provisional" Sony test SACD, the SA-KI-Pearl offered a lower maximum output level for SACD than for CD: 1.9V RMS vs 2.52V, a difference of 2.5dB. For CD playback, the maximum output level is a very audible 2dB higher than the CD standard's 2V RMS. The player's output…
Before last year, I had no more than a professional interest in the products of Wilson Audio Specialties. But before last year I hadn't experienced Wilson's Sophia Series 2 loudspeaker ($16,700/pair)—which, like the wines I tend to order when my wife and I go out to dinner, is the second-cheapest item on their menu. Within weeks of the Sophias' arrival, respect had turned to rapture, like to love, and an entirely new appreciation for Wilson Audio was mine (footnote 1).
I was also impressed that the people of Wilson seemed willing to say, more or less, "Yes, we know there's…
All four drivers in the three-way Sasha W/P are proprietary Wilson designs; each has been either upgraded from its own predecessor or brought in from the next most expensive model in the Wilson line. Among the latter is the Sasha's 1" inverted titanium-dome tweeter, sourced from Focal and developed for the Maxx Series 3 ($68,000/pair), and described as the fruit of Wilson's best efforts to prevent rear-firing energy from creating high-frequency distortion. The tweeter's second-order high-pass filter is tailored to approximately 1.8kHz, below which Wilson's 7" midrange driver, also developed…
From that day forward the Sasha distinguished itself as an open-sounding and exceptionally wide-bandwidth loudspeaker much like the Sophia Series 2. Yet whereas the two Wilson models sounded superficially alike overall, the Sasha W/P distinguished itself as a device of greater clarity and resolving power. Months before, the Sophia had surprised me by bringing unexpected timbral color and texture to the world of high-end speakers, as well as degrees of nuance and dramatic contrast that, while not in the same league as those of a very good horn, were well above the norm for a speaker designed…
Sidebar 1: Specifications
Description: Three-way, reflex-loaded, floorstanding loudspeaker. Drive-units: 1" titanium inverted-dome tweeter, 7" pulp-composite midrange cone, two 8" polymer woofer cones. Sensitivity: 91dB/2.83V/m. Impedance: 4 ohms nominal, 1.9 ohms minimum.
Dimensions: 44" (1118mm) H by 14" (356mm) W by 21.25" (539mm) D. Weight: 197 lbs (89.4kg).
Finishes: High-gloss automotive paint; custom finishes, including paint-matching, available at extra cost.
Serial Numbers Of Units Reviewed: 0395, 0396.
Price: $26,900/pair. Approximate number of dealers: 39.
…
Sidebar 2: Associated Equipment
Analog Sources: Thorens TD-124 Mk.II, Bauer Audio dps turntables; EMT 997, Schick, Naim Aro tonearms; Shindo SPU, Ortofon SPU 90th Anniversary, EMT OFD 25, Miyabi 47 cartridges.
Digital Sources: Sony SCD-777ES SACD/CD player; Ayre Acoustics QB-9 USB DAC (with Apple iTunes).
Preamplification: Auditorium 23 Hommage T1, K&K Audio step-up transformers; Shindo Masseto, Tempo Electric Arthur Loesch 1.1, Fi Preamplifier, Fi 2b preamplifiers.
Power Amplifiers: Shindo Haut-Brion, Electrocompaniet AWQ400; Shindo Corton-Charlemagne, PrimaLuna DiaLogue…
Sidebar 3: Measurements
Other than the in-room and nearfield measurements, for which I used a Joe D'Appolito–designed Mitey Mike II and an Earthworks QTC-40 microphone, respectively, the quasi-anechoic measurements of the Wilson Audio Specialties Sasha W/P were performed using DRA Labs' MLSSA system and a calibrated DPA 4006 microphone. Wilson specifies the Sasha's voltage sensitivity as 91dB/2.83V/m, which was confirmed by my own measurements. This is usefully higher than average. On the other hand, the Sasha's plot of impedance magnitude and electrical phase (fig.1) reveals the speaker…
At our best, audiophiles are the selfless and generous custodians of a thousand small libraries, keeping alive not only music's greatest recorded moments but the art of listening itself. At our worst, we are self-absorbed, superannuated rich kids, locked in an endless turd-hurl over who has the best toys.
Sanctimonious though it sounds, I prefer things that, by whatever method, allow me the luxury of the former, sunnier view of myself. The newest product from Fi is one of those.
It is also, as far as I can tell, the first Fi to come with an instruction sheet. "You do…